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Dave Good
Marty Graham
Moss Gropen
Andrew Hamlin
Dorian Hargrove
Garrett Harris
Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
Jay Allen Sanford
Julie Stalmer
DJ Stevens
Matthew Suárez
Amanda Tascher
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Matthew Lickona
Matthew Lickona
is a
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contributor. See
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for published articles.
Profile
Activity
Comments
Votes
Joseph Mitchell’s and Joe Gould’s Secret
I haven't read the Kunkel, but I will. Thanks for the suggestion.
— October 18, 2020 11:24 p.m.
Joseph Mitchell’s and Joe Gould’s Secret
Mitchell ends "Joe Gould's Secret" by recounting a conversation in which he continuous to play the role he had been playing ever since "the afternoon I discovered that the Oral History did not exist." Lepore writes that after the story's publication, a woman named Florence Lowe sent him one of Gould's notebooks of oral history, noting that she would be happy to send more: "I have trunks full!" Lepore writes that Mitchell did not ask for more, and that when other people wrote him about the History, he would reply, "“I wish I had had this information when I wrote the second Profile, and if I ever write another article about Joe Gould, which I may do, I’d like very much to have a talk with you.” And of course, he never wrote another article about Joe Gould, or about anything else. Lord knows I don't want to be unfair to MItchell, but it seems to me that Lepore made her case. Thanks for reading, and for the kind word.
— October 15, 2020 1:45 p.m.
Shazam!
Gosh, I've liked plenty of 'em. But I'm happy to be taught.
— April 6, 2019 1:44 p.m.
Us
Just last week I gave three stars to Transit, and four to Birds of Passage. But it's been a pretty rough 2019 so far, it's true.
— March 22, 2019 8:20 p.m.
Captain Marvel
: I am woman
It does? I specifically noted that I know Larson can act; I loved her in Short Term 12, and while I didn't love Room, she was the best thing about it. And I like plenty of Marvel movies, so much so that DC fanboys have accused me of being unfairly biased toward them.
— March 8, 2019 1:21 p.m.
Capernaum (Capharnaüm)
Once more with feeling: the film itself presents the lack of registration as unusual. I'm not measuring the film's universe against mine, I'm entering the universe of the film and seeing if it fits together. There is no contradiction in saying that a film has an impressive aspect but is not a good film overall. The single star, as I said, indicates some merit (as opposed to zero). I can certainly understand your desire for longer reviews that take care to note the positive alongside the negative. Alas, the Reader has space constraints, and critic must make certain choices. Cheers.
— January 12, 2019 10:17 a.m.
Capernaum (Capharnaüm)
Nope, no prejudgement. Also, not the lowest possible score. The Reader gives films without merit zero of five stars. One star indicates some merit, if not a successful film. It was not at all clear that the family in question were undocumented refugees. At one point, Zain practices pretending to be a Syrian refugee, but he has to practice, because that's not what he is. And in the film, it is treated as unusual that the parents did not register the child. At no point do the parents indicate that it's something they could not afford to do. So once the film presents it as unusual, it's up to the film to give some account. I understand the cycle that was represented, and the directorial challenge in working with children. It was indeed impressive. But that doesn't make it a good movie.
— January 11, 2019 6:36 p.m.
Ant-Man and the Wasp
I didn't give it 1/5 simply because someone looked distressed. I gave it 1/5 because the character was so wildly out of step with the film's easy-breezy tone, sort like hearing a death metal guitar solo in the middle of a Selena Gomez song.
— January 11, 2019 1:33 p.m.
Capernaum (Capharnaüm)
Hi James, movie duration is provided automatically by an electronic listing service, not by me. Not sure why it got this runtime wrong, but you're quite right. Interestingly, when you Google "Capernaum runtime," you get the same result: 2 hours 30 minutes. But of course, that's not correct. As for the "awful situation" I mention about the parents, it isn't that they're poor, it's that they're so far outside the system that their children's births are not registered, a situation which is presented as unusual even for people who are poor and nearly homeless. I'm not a bit allergic to seeing how lower class people survive. I am, however, a bit allergic to hearing a film lecture me about how poor people should not have kids after it has spent so much time making me care about the children of poor people. Cheers.
— January 11, 2019 8:50 a.m.
Aquaman
*Mic drop* [Except mic doesn't drop, but instead sort of floats off sideways..]
— December 27, 2018 7:49 a.m.
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Joe Deegan
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Leorah Gavidor
Dave Good
Marty Graham
Moss Gropen
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Dorian Hargrove
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Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
Jay Allen Sanford
Julie Stalmer
DJ Stevens
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This Week’s
Reader
This Week’s
Reader
Joseph Mitchell’s and Joe Gould’s Secret
I haven't read the Kunkel, but I will. Thanks for the suggestion.— October 18, 2020 11:24 p.m.
Joseph Mitchell’s and Joe Gould’s Secret
Mitchell ends "Joe Gould's Secret" by recounting a conversation in which he continuous to play the role he had been playing ever since "the afternoon I discovered that the Oral History did not exist." Lepore writes that after the story's publication, a woman named Florence Lowe sent him one of Gould's notebooks of oral history, noting that she would be happy to send more: "I have trunks full!" Lepore writes that Mitchell did not ask for more, and that when other people wrote him about the History, he would reply, "“I wish I had had this information when I wrote the second Profile, and if I ever write another article about Joe Gould, which I may do, I’d like very much to have a talk with you.” And of course, he never wrote another article about Joe Gould, or about anything else. Lord knows I don't want to be unfair to MItchell, but it seems to me that Lepore made her case. Thanks for reading, and for the kind word.— October 15, 2020 1:45 p.m.
Shazam!
Gosh, I've liked plenty of 'em. But I'm happy to be taught.— April 6, 2019 1:44 p.m.
Us
Just last week I gave three stars to Transit, and four to Birds of Passage. But it's been a pretty rough 2019 so far, it's true.— March 22, 2019 8:20 p.m.
Captain Marvel: I am woman
It does? I specifically noted that I know Larson can act; I loved her in Short Term 12, and while I didn't love Room, she was the best thing about it. And I like plenty of Marvel movies, so much so that DC fanboys have accused me of being unfairly biased toward them.— March 8, 2019 1:21 p.m.
Capernaum (Capharnaüm)
Once more with feeling: the film itself presents the lack of registration as unusual. I'm not measuring the film's universe against mine, I'm entering the universe of the film and seeing if it fits together. There is no contradiction in saying that a film has an impressive aspect but is not a good film overall. The single star, as I said, indicates some merit (as opposed to zero). I can certainly understand your desire for longer reviews that take care to note the positive alongside the negative. Alas, the Reader has space constraints, and critic must make certain choices. Cheers.— January 12, 2019 10:17 a.m.
Capernaum (Capharnaüm)
Nope, no prejudgement. Also, not the lowest possible score. The Reader gives films without merit zero of five stars. One star indicates some merit, if not a successful film. It was not at all clear that the family in question were undocumented refugees. At one point, Zain practices pretending to be a Syrian refugee, but he has to practice, because that's not what he is. And in the film, it is treated as unusual that the parents did not register the child. At no point do the parents indicate that it's something they could not afford to do. So once the film presents it as unusual, it's up to the film to give some account. I understand the cycle that was represented, and the directorial challenge in working with children. It was indeed impressive. But that doesn't make it a good movie.— January 11, 2019 6:36 p.m.
Ant-Man and the Wasp
I didn't give it 1/5 simply because someone looked distressed. I gave it 1/5 because the character was so wildly out of step with the film's easy-breezy tone, sort like hearing a death metal guitar solo in the middle of a Selena Gomez song.— January 11, 2019 1:33 p.m.
Capernaum (Capharnaüm)
Hi James, movie duration is provided automatically by an electronic listing service, not by me. Not sure why it got this runtime wrong, but you're quite right. Interestingly, when you Google "Capernaum runtime," you get the same result: 2 hours 30 minutes. But of course, that's not correct. As for the "awful situation" I mention about the parents, it isn't that they're poor, it's that they're so far outside the system that their children's births are not registered, a situation which is presented as unusual even for people who are poor and nearly homeless. I'm not a bit allergic to seeing how lower class people survive. I am, however, a bit allergic to hearing a film lecture me about how poor people should not have kids after it has spent so much time making me care about the children of poor people. Cheers.— January 11, 2019 8:50 a.m.
Aquaman
*Mic drop* [Except mic doesn't drop, but instead sort of floats off sideways..]— December 27, 2018 7:49 a.m.