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Moss Gropen
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Dorian Hargrove
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Patrick Henderson
Tam Hoang
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Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
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Elizabeth Salaam
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Julie Stalmer
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Garrett Harris
Garrett Harris
is a
Reader
contributor. See
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for published articles.
Profile
Activity
Comments
Votes
Baroque
Wynton is a tremendous artist! Jazz and classical both equally brilliant.
— February 15, 2011 6:56 p.m.
Play the King to Sleep
Most likely, it was the quartets of Hayden and Mozart that Goethe was referencing. I think the title of string quartet king could be a triumvirate of Hayden, Mozart, and Beethoven. However, those three certainly wrote for the aristocracy. I was trying to give examples of composers who wrote quartets based on the form instead of the venue. Hayden is wonderful!
— February 5, 2011 6:45 p.m.
Sitz
Nan I prefer the lower balcony or mezzanine. I think the sound is a little better plus the supertitles are closer to eye level. Last I heard there are only ticket for Tuesday and Friday. CurtainCall: You're right about Liu. We're supposed to believe that her sacrifice melted Turandot's ice and opened her up to love but it doesn't really work.
— January 26, 2011 3:06 p.m.
Moonlight
Brava Nan!
— January 21, 2011 2:02 p.m.
Here Comes Wagner
I love Tannhauser. I did sing in the chorus in 2008. I've done Dutchman, Lohengrin, and Tannhauser. They are all fantastic shows for the chorus. While I was in college I worked for the school district cleaning classrooms in the summer. I listened to Tannhauser twice a day for two weeks. It worked out because that meant my 8 hours were over!
— January 12, 2011 9:43 p.m.
A Gem
Would you be surprised if I said I didn't agree with him either? I will say that the opening sections of this symphony are unrelenting. I'll also admit that I cleaned his quote up in order to post it!
— January 11, 2011 9:13 a.m.
Enemy Children
It's a good one! The urban dictionary of "baller" is correct for you-skilled etc.
— December 22, 2010 12:05 p.m.
Tale of Two Tenors
dmopbuff, You are right on the button. Pav is perfect as Nemorino--his voice and technique are ideal for bel canto, Alfredo, Duca in Rig, Rodolpho, etc. For me the issues begin in earnest when he records roles like Cavaradossi, Chenier, Otello (!), Manrico, Canio, even Polione in Norma-you know, the big stuff. His marketing machine made it possible and hurt the careers of legitimate spinto/dramatic types like Giacomini and Martinucci. You're correct about the Latin tenor being dominate. I've heard a few Met broadcasts with Giordani and have been appalled. We'll see how Licitra does as Jose this season but I'm not going to hold my breath. No one was condoning throwing anything into the pit. As I mentioned, Bonisolli's antics got the better of him and he was replaced in that production which was at Vienna State Opera with von Karajan--those aren't small potatoes.
— December 20, 2010 5:26 p.m.
Bocelli is NOT an Opera Singer
Nan, regarding Lauri-Volpi. You're right about him sounding flat. I'm attributing a lot of that to the recording being made in Barcelona in 1972. Who knows what they used to record it. However, he could just be flat at times. Lauri-Volpi's voice was described as being built for the theater and having a tremendous amount of squillo. Squillo basically means the ability to cut through an orchestra and be heard in the back row. A voice like that never records well. The equipment doesn't know how to handle it. The roundness in his voice was created by the acoustic of the theater. What isn't flat is his understanding of what he's singing. It's amazing how many people claim they don't care what this aria is about, they just love the music. If you love something you want to know what it's about! I think this is my chief criticism of Bocelli. He doesn't give any indication that he's connected to the text. Maybe he is connected and I just don't perceive it. If a singer isn't connected to the text they're singing, how are they going to connect with an audience? Bocelli's voice is sweet and pretty. Doris Day was sweet and pretty but I'm more of a Lauren Bacall fan, if you know what I mean. I want a little danger with my singing.
— December 18, 2010 12:56 a.m.
Tale of Two Tenors
Nan, thank you for the nobisse oblige reminder. I'm a Libra, to a fault. If I don't perceive it to be fair, look out. It's getting better. My nickname used to be polemic-oh. MsGrant, I'm not going to try to defend myself, I'll just get into more trouble. I wrote a defense but it seemed petty so it's deleted. Sailinsax, I apologize for nuking you. However, if you are lured into commenting again, please include why you have an opposing point of view. Call me narrow, laughable, and ridiculous if you like but explain why.
— December 18, 2010 12:28 a.m.
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Dave Good
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Moss Gropen
Andrew Hamlin
Dorian Hargrove
Garrett Harris
Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
Jay Allen Sanford
Julie Stalmer
DJ Stevens
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Amanda Tascher
More writers
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This Week’s
Reader
This Week’s
Reader
Baroque
Wynton is a tremendous artist! Jazz and classical both equally brilliant.— February 15, 2011 6:56 p.m.
Play the King to Sleep
Most likely, it was the quartets of Hayden and Mozart that Goethe was referencing. I think the title of string quartet king could be a triumvirate of Hayden, Mozart, and Beethoven. However, those three certainly wrote for the aristocracy. I was trying to give examples of composers who wrote quartets based on the form instead of the venue. Hayden is wonderful!— February 5, 2011 6:45 p.m.
Sitz
Nan I prefer the lower balcony or mezzanine. I think the sound is a little better plus the supertitles are closer to eye level. Last I heard there are only ticket for Tuesday and Friday. CurtainCall: You're right about Liu. We're supposed to believe that her sacrifice melted Turandot's ice and opened her up to love but it doesn't really work.— January 26, 2011 3:06 p.m.
Moonlight
Brava Nan!— January 21, 2011 2:02 p.m.
Here Comes Wagner
I love Tannhauser. I did sing in the chorus in 2008. I've done Dutchman, Lohengrin, and Tannhauser. They are all fantastic shows for the chorus. While I was in college I worked for the school district cleaning classrooms in the summer. I listened to Tannhauser twice a day for two weeks. It worked out because that meant my 8 hours were over!— January 12, 2011 9:43 p.m.
A Gem
Would you be surprised if I said I didn't agree with him either? I will say that the opening sections of this symphony are unrelenting. I'll also admit that I cleaned his quote up in order to post it!— January 11, 2011 9:13 a.m.
Enemy Children
It's a good one! The urban dictionary of "baller" is correct for you-skilled etc.— December 22, 2010 12:05 p.m.
Tale of Two Tenors
dmopbuff, You are right on the button. Pav is perfect as Nemorino--his voice and technique are ideal for bel canto, Alfredo, Duca in Rig, Rodolpho, etc. For me the issues begin in earnest when he records roles like Cavaradossi, Chenier, Otello (!), Manrico, Canio, even Polione in Norma-you know, the big stuff. His marketing machine made it possible and hurt the careers of legitimate spinto/dramatic types like Giacomini and Martinucci. You're correct about the Latin tenor being dominate. I've heard a few Met broadcasts with Giordani and have been appalled. We'll see how Licitra does as Jose this season but I'm not going to hold my breath. No one was condoning throwing anything into the pit. As I mentioned, Bonisolli's antics got the better of him and he was replaced in that production which was at Vienna State Opera with von Karajan--those aren't small potatoes.— December 20, 2010 5:26 p.m.
Bocelli is NOT an Opera Singer
Nan, regarding Lauri-Volpi. You're right about him sounding flat. I'm attributing a lot of that to the recording being made in Barcelona in 1972. Who knows what they used to record it. However, he could just be flat at times. Lauri-Volpi's voice was described as being built for the theater and having a tremendous amount of squillo. Squillo basically means the ability to cut through an orchestra and be heard in the back row. A voice like that never records well. The equipment doesn't know how to handle it. The roundness in his voice was created by the acoustic of the theater. What isn't flat is his understanding of what he's singing. It's amazing how many people claim they don't care what this aria is about, they just love the music. If you love something you want to know what it's about! I think this is my chief criticism of Bocelli. He doesn't give any indication that he's connected to the text. Maybe he is connected and I just don't perceive it. If a singer isn't connected to the text they're singing, how are they going to connect with an audience? Bocelli's voice is sweet and pretty. Doris Day was sweet and pretty but I'm more of a Lauren Bacall fan, if you know what I mean. I want a little danger with my singing.— December 18, 2010 12:56 a.m.
Tale of Two Tenors
Nan, thank you for the nobisse oblige reminder. I'm a Libra, to a fault. If I don't perceive it to be fair, look out. It's getting better. My nickname used to be polemic-oh. MsGrant, I'm not going to try to defend myself, I'll just get into more trouble. I wrote a defense but it seemed petty so it's deleted. Sailinsax, I apologize for nuking you. However, if you are lured into commenting again, please include why you have an opposing point of view. Call me narrow, laughable, and ridiculous if you like but explain why.— December 18, 2010 12:28 a.m.