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Three poems by Marge Piercy

The Woman in the Ordinary, Winter Promises, Some Things Return in Spring

Marge Piercy
Marge Piercy

The Woman in the Ordinary

The woman in the ordinary pudgy downcast girl 

is crouching with eyes and muscles clenched. 

Round and pebble smooth she effaces herself 

under ripples of conversation and debate. 

The woman in the block of ivory soap 

has massive thighs that neigh, 

great breasts that blare and strong arms that trumpet. 

The woman of the golden fleece 

laughs uproariously from the belly 

inside the girl who imitates 

a Christmas card virgin with glued hands, 

who fishes for herself in other’s eyes, 

who stoops and creeps to make herself smaller. 

In her bottled up is a woman peppery as curry, 

a yam of a woman of butter and brass, 

compounded of acid and sweet like a pineapple, 

like a handgrenade set to explode, 

like goldenrod ready to bloom.


Winter Promises

Tomatoes rosy as perfect baby’s buttocks, 

eggplants glossy as waxed fenders, 

purple neon flawless glistening 

peppers, pole beans fecund and fast 

growing as Jack’s Viagra-sped stalk, 

big as truck tire zinnias that mildew 

will never wilt, roses weighing down 

a bush never touched by black spot, 

brave little fruit trees shouldering up 

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their spotless ornaments of glass fruit: 

I lie on the couch under a blanket 

of seed catalogs ordering far 

too much. Sleet slides down 

the windows, a wind edged 

with ice knifes through every crack. 

Lie to me, sweet garden-mongers: 

I want to believe every promise, 

to trust in five-pound tomatoes 

and dahlias brighter than the sun 

that was eaten by frost last week.


Some Things Return in Spring

The brave spears of the garlic 

rustle in the damp hair of the wind 

off the marsh brushing them: 

a sound you will never again hear. 

The maple is waving little russet 

hands. Long brown scaled buds 

line the beech twigs. Spring 

explodes into hundreds of daffodils 

on the hillside that was yours. 

Tulips strut their brilliance bowing 

to the sun where you will no 

longer pass. My tears are 

brief years after you died. Still 

my thoughts are bouquets like 

the red tulips I can never lay 

on your invisible grave.

Marge Piercy

Marge Piercy (b. March 31, 1936) is an American feminist poet and novelist who has written 17 books of poetry, including The Moon Is Always Female (1980), which is considered a feminist classic. Piercy identifies as a Marxist and an activist for numerous progressive causes, including anti-war and environmental issues. Her poetry is often personal, written largely in free verse and focuses on social and feminist issues of the day. Her later poems also reflect a growing interest in the cultural and religious dimensions of her Jewish roots.

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Marge Piercy
Marge Piercy

The Woman in the Ordinary

The woman in the ordinary pudgy downcast girl 

is crouching with eyes and muscles clenched. 

Round and pebble smooth she effaces herself 

under ripples of conversation and debate. 

The woman in the block of ivory soap 

has massive thighs that neigh, 

great breasts that blare and strong arms that trumpet. 

The woman of the golden fleece 

laughs uproariously from the belly 

inside the girl who imitates 

a Christmas card virgin with glued hands, 

who fishes for herself in other’s eyes, 

who stoops and creeps to make herself smaller. 

In her bottled up is a woman peppery as curry, 

a yam of a woman of butter and brass, 

compounded of acid and sweet like a pineapple, 

like a handgrenade set to explode, 

like goldenrod ready to bloom.


Winter Promises

Tomatoes rosy as perfect baby’s buttocks, 

eggplants glossy as waxed fenders, 

purple neon flawless glistening 

peppers, pole beans fecund and fast 

growing as Jack’s Viagra-sped stalk, 

big as truck tire zinnias that mildew 

will never wilt, roses weighing down 

a bush never touched by black spot, 

brave little fruit trees shouldering up 

Sponsored
Sponsored

their spotless ornaments of glass fruit: 

I lie on the couch under a blanket 

of seed catalogs ordering far 

too much. Sleet slides down 

the windows, a wind edged 

with ice knifes through every crack. 

Lie to me, sweet garden-mongers: 

I want to believe every promise, 

to trust in five-pound tomatoes 

and dahlias brighter than the sun 

that was eaten by frost last week.


Some Things Return in Spring

The brave spears of the garlic 

rustle in the damp hair of the wind 

off the marsh brushing them: 

a sound you will never again hear. 

The maple is waving little russet 

hands. Long brown scaled buds 

line the beech twigs. Spring 

explodes into hundreds of daffodils 

on the hillside that was yours. 

Tulips strut their brilliance bowing 

to the sun where you will no 

longer pass. My tears are 

brief years after you died. Still 

my thoughts are bouquets like 

the red tulips I can never lay 

on your invisible grave.

Marge Piercy

Marge Piercy (b. March 31, 1936) is an American feminist poet and novelist who has written 17 books of poetry, including The Moon Is Always Female (1980), which is considered a feminist classic. Piercy identifies as a Marxist and an activist for numerous progressive causes, including anti-war and environmental issues. Her poetry is often personal, written largely in free verse and focuses on social and feminist issues of the day. Her later poems also reflect a growing interest in the cultural and religious dimensions of her Jewish roots.

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