Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Switchfoot, Dinettes, Queen Bees, ASCAP, Billie Joe Armstrong, Brandon "Tiny Doo" Duncan, Agent 51
Ken Leighton's favorite stories he wrote for the Reader
Anilee Griffin: "I gave it my heart and soul. It was never about money, just about supporting live music.”
One of the first stories I did when I started three-blurts-a-week was about Switchfoot in January, 1999. I was happy to be the first local writer to cover Switchfoot, Jason Mraz, Sam Outlaw, and Daring Greatly, the Canadian-turned-Fallbrook band who were struggling with immigration issues just as they were breaking.
My background in music included working in publicity for Chrysalis Records (1976), Capitol Records (1977), North County concert promotions as Big Beat Productions (1980-84), Belly Up Tavern promotion/marketing (1987-99), Fiesta del Sol booking/fundraising (1999-2007) and owning the Royal Dive in Oceanside (2007-14). Writing for the Reader gave me the opportunity to do stories on the Penetrators, the Kinman Brothers (The Dils/Rank and File), and the Dinettes, almost four decades after I first met them.
I was proud that I had a part in naming a venue that still survives. I did a story that Alma Rodriguez, who had been struggling with oppressive landlords over her all-age venues, was opening a new, unnamed music venue. I used the phrase “queen bee” to describe her. My editor at the time, Robert Nutting, used "Queen Bee" in the headline and Alma ended up naming her venue Queen Bees.
But two stories I did on bar ownership explored how the music licensing agencies BMI and ASCAP can arbitrarily charge struggling bars as much as they want, to stay in business. Nobody oversees them. The stories started in 2000 and later with the plight of Ramona Mainstreet which quit music for a while because of the fees and lawsuits filed by ASCAP/BMI.
I loved covering the ska and punk scenes in TJ and the fully costumed 16-member bandas who would stop and play Ensenada in bars that wouldn’t even charge admission. But maybe my most famous Mex-music blurt was when Billie Joe Armstrong played TJ last year.
The one story that made my blood boil was the story broken by Channel 10 about local rapper Brandon "Tiny Doo" Duncan who was arrested at his home because of his artwork on his album.
It's a good feeling that you can move the needle. Brandon Parkhurst of Kut U Up said that an article we did 11 years ago helped him pull himself out of a lifestyle rut.
The most-read Reader music story of 2017 was the blurt on Anilee Griffin who booked Hensley’s Flying Elephant in Carlsbad and who booked and co-owned The Shakedown near the Sports Arena. I knew her parents before she was born. Everyone loved her.
The most inspiring music story I did had to be about the struggling 21-year-old mariachi musician who never gave up just as the immigration assholes closed in around him.
The biggest bang blurt I wrote had to be the 2006 story I did about Poway band Agent 51 which had been signed to Billie Joe Armstrong’s Adeline Records five years earlier. There was a marked similarity between Agent 51’s “She’s My Heroine” and Green Day’s “Boulevard of Broken Dreams.” Threatened litigation from Encinitas-based Surf Dog Records and Agent 51 against Green Day and Warner Bros. Records resulted in a six-figure settlement. At least one band member used the money for a down payment on a house.
Holman allowed me to segue into news. The most moving story I did involved a drug addict who broke into St. Michael’s Episcopal Church in Carlsbad and who turned himself in.
In the last year I was fortunate to break the news that a wave park is planned on the site of a defunct swap meet, that Fentanyl is now legally manufactured in Oceanside, and that Larry Flynt wants to sell vibrators in North County.
How Leighton came to the Reader:
It was the end of 1998 when I was told by then Reader music editor Jennifer Ball that editor/publisher Jim Holman wanted to have someone exclusively write breaking news stories about the local music scene.
I took on parts of the local scene I thought needed to be exposed. That would include the monopoly of Ticketmaster, which is no longer as big of an issue. We wrote about an abusive and tyrannical San Marcos bar owner. And we took on the monolithic radio conglomerate called Clear Channel (now iHeart Radio) .
Troy Johnson, music editor of City Beat was so pissed that I pointed out that the local show he hosted did not have the ratings Channel 6 said it had that he went on live radio to challenge me to boxing match. There was the City Beat editor who wrote that the Reader was being sued over a story I wrote about scam concert promoters who ripped off bands and ticket buyers at a parking lot show. There was no lawsuit.
Here's something you might be interested in.
Switchfoot, Dinettes, Queen Bees, ASCAP, Billie Joe Armstrong, Brandon "Tiny Doo" Duncan, Agent 51
Ken Leighton's favorite stories he wrote for the Reader
Switchfoot, Dinettes, Queen Bees, ASCAP, Billie Joe Armstrong, Brandon "Tiny Doo" Duncan, Agent 51
Ken Leighton's favorite stories he wrote for the Reader
Anilee Griffin: "I gave it my heart and soul. It was never about money, just about supporting live music.”
One of the first stories I did when I started three-blurts-a-week was about Switchfoot in January, 1999. I was happy to be the first local writer to cover Switchfoot, Jason Mraz, Sam Outlaw, and Daring Greatly, the Canadian-turned-Fallbrook band who were struggling with immigration issues just as they were breaking.
My background in music included working in publicity for Chrysalis Records (1976), Capitol Records (1977), North County concert promotions as Big Beat Productions (1980-84), Belly Up Tavern promotion/marketing (1987-99), Fiesta del Sol booking/fundraising (1999-2007) and owning the Royal Dive in Oceanside (2007-14). Writing for the Reader gave me the opportunity to do stories on the Penetrators, the Kinman Brothers (The Dils/Rank and File), and the Dinettes, almost four decades after I first met them.
I was proud that I had a part in naming a venue that still survives. I did a story that Alma Rodriguez, who had been struggling with oppressive landlords over her all-age venues, was opening a new, unnamed music venue. I used the phrase “queen bee” to describe her. My editor at the time, Robert Nutting, used "Queen Bee" in the headline and Alma ended up naming her venue Queen Bees.
But two stories I did on bar ownership explored how the music licensing agencies BMI and ASCAP can arbitrarily charge struggling bars as much as they want, to stay in business. Nobody oversees them. The stories started in 2000 and later with the plight of Ramona Mainstreet which quit music for a while because of the fees and lawsuits filed by ASCAP/BMI.
I loved covering the ska and punk scenes in TJ and the fully costumed 16-member bandas who would stop and play Ensenada in bars that wouldn’t even charge admission. But maybe my most famous Mex-music blurt was when Billie Joe Armstrong played TJ last year.
The one story that made my blood boil was the story broken by Channel 10 about local rapper Brandon "Tiny Doo" Duncan who was arrested at his home because of his artwork on his album.
It's a good feeling that you can move the needle. Brandon Parkhurst of Kut U Up said that an article we did 11 years ago helped him pull himself out of a lifestyle rut.
The most-read Reader music story of 2017 was the blurt on Anilee Griffin who booked Hensley’s Flying Elephant in Carlsbad and who booked and co-owned The Shakedown near the Sports Arena. I knew her parents before she was born. Everyone loved her.
The most inspiring music story I did had to be about the struggling 21-year-old mariachi musician who never gave up just as the immigration assholes closed in around him.
The biggest bang blurt I wrote had to be the 2006 story I did about Poway band Agent 51 which had been signed to Billie Joe Armstrong’s Adeline Records five years earlier. There was a marked similarity between Agent 51’s “She’s My Heroine” and Green Day’s “Boulevard of Broken Dreams.” Threatened litigation from Encinitas-based Surf Dog Records and Agent 51 against Green Day and Warner Bros. Records resulted in a six-figure settlement. At least one band member used the money for a down payment on a house.
Holman allowed me to segue into news. The most moving story I did involved a drug addict who broke into St. Michael’s Episcopal Church in Carlsbad and who turned himself in.
In the last year I was fortunate to break the news that a wave park is planned on the site of a defunct swap meet, that Fentanyl is now legally manufactured in Oceanside, and that Larry Flynt wants to sell vibrators in North County.
How Leighton came to the Reader:
It was the end of 1998 when I was told by then Reader music editor Jennifer Ball that editor/publisher Jim Holman wanted to have someone exclusively write breaking news stories about the local music scene.
I took on parts of the local scene I thought needed to be exposed. That would include the monopoly of Ticketmaster, which is no longer as big of an issue. We wrote about an abusive and tyrannical San Marcos bar owner. And we took on the monolithic radio conglomerate called Clear Channel (now iHeart Radio) .
Troy Johnson, music editor of City Beat was so pissed that I pointed out that the local show he hosted did not have the ratings Channel 6 said it had that he went on live radio to challenge me to boxing match. There was the City Beat editor who wrote that the Reader was being sued over a story I wrote about scam concert promoters who ripped off bands and ticket buyers at a parking lot show. There was no lawsuit.
Comments