How Ian Anderson came to the Reader:
While visiting the Reader web site a few years back, I noticed it was accepting public submissions of concert reviews. I can't remember what they paid, but it was enough to cover the cost of a couple tickets, so I sent one in. It didn't get published.
However, the music editor took a few moments to give me notes, and encouraged me to try again with another show. I heeded those notes, and before long my review of Steve Martin and the Steep Canyon Rangers appeared in the paper. Even better, a couple weeks later, a check showed up in the mail. For some reason, a couple years went by before I tried again, got a second review published, and another check in the mail. Another year went by, and a third review published. Except this time, no check followed.
After a few weeks, I called the Reader offices and was quickly routed to accounting. Someone on the other end of the phone said the music editor would have to confirm a pay order before they could cut me a check. He or she routed my call to the editor. Make that, the wrong editor. He explained that he edited the news section, not music, and had never heard of me or my review of indie rock band, Speedy Ortiz.
"Sorry about the mistake," I said, "But before you transfer me again — what kind of news stories are you looking for?"
I got my check, and he sent me a couple of Neighborhood News assignments, really sexy stuff about about political lawn signs, and a vacant lot in Point Loma. I tried my best, and wrote the hell out of them, because writing's my passion, and that's how I approach every project. Within a couple weeks I was on the phone with another Reader editor, who asked me whether I had any experience with food writing. As a matter of fact, I did...
More than a thousand Reader bylines later, I'm still writing about food, and drinks, and have had the opportunity to write longer-form cover stories about a host of unique and interesting topics, the kind of stuff you can only get away with at an alt-weekly.
How Ian Anderson came to the Reader:
While visiting the Reader web site a few years back, I noticed it was accepting public submissions of concert reviews. I can't remember what they paid, but it was enough to cover the cost of a couple tickets, so I sent one in. It didn't get published.
However, the music editor took a few moments to give me notes, and encouraged me to try again with another show. I heeded those notes, and before long my review of Steve Martin and the Steep Canyon Rangers appeared in the paper. Even better, a couple weeks later, a check showed up in the mail. For some reason, a couple years went by before I tried again, got a second review published, and another check in the mail. Another year went by, and a third review published. Except this time, no check followed.
After a few weeks, I called the Reader offices and was quickly routed to accounting. Someone on the other end of the phone said the music editor would have to confirm a pay order before they could cut me a check. He or she routed my call to the editor. Make that, the wrong editor. He explained that he edited the news section, not music, and had never heard of me or my review of indie rock band, Speedy Ortiz.
"Sorry about the mistake," I said, "But before you transfer me again — what kind of news stories are you looking for?"
I got my check, and he sent me a couple of Neighborhood News assignments, really sexy stuff about about political lawn signs, and a vacant lot in Point Loma. I tried my best, and wrote the hell out of them, because writing's my passion, and that's how I approach every project. Within a couple weeks I was on the phone with another Reader editor, who asked me whether I had any experience with food writing. As a matter of fact, I did...
More than a thousand Reader bylines later, I'm still writing about food, and drinks, and have had the opportunity to write longer-form cover stories about a host of unique and interesting topics, the kind of stuff you can only get away with at an alt-weekly.
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