Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Two poems about cats by Charles Baudelaire
Cats
They are alike, prim scholar and perfervid lover:
When comes the season of decay, they both decide
Upon sweet, husky cats to be the household pride;
Cats choose, like them, to sit, and like them, shudder.
Like partisans of carnal dalliance and science,
They search for silence and the shadowings of dread;
Hell well might harness them as horses for the dead,
If it could bend their native proudness in compliance.
In reverie they emulate the noble mood
Of giant sphinxes stretched in depths of solitude
Who seem to slumber in a never-ending dream;
Within their fertile loins a sparkling magic lies;
Finer than any sand are dusts of gold that gleam,
Vague starpoints, in the mystic iris of their eyes.
The Cat
Come, my fine cat, against my loving heart;
Sheathe your sharp claws, and settle.
And let my eyes into your pupils dart
Where agate sparks with metal.
Now while my fingertips caress at leisure
Your head and wiry curves,
And that my hand’s elated with the pleasure
Of your electric nerves,
I think about my woman — how her glances
Like yours, dear beast, deep-down
And cold, can cut and wound one as with lances;
Then, too, she has that vagrant
And subtle air of danger that makes fragrant
Her body, lithe and brown.
Charles Baudelaire
Charles Baudelaire (1821-1867) is one of the most important poets in French literature (he also made a name for himself as a literary and art critic). While his early poems displayed the influence of Romanticism, he eventually developed a counter-Romantic style, exhibited in Les Fleurs du Mal (Flowers of Evil), a book of poems which express a candid, often shocking, realism that later generations, especially the Modernist poets, would also adopt. In fact, Baudelaire is credited with coining the term “modernity” as a way of describing through verse the ephemera of life in contemporary urban settings, a task which he charged all poets to take up through their work.
Here's something you might be interested in.
Two poems about cats by Charles Baudelaire
Two poems about cats by Charles Baudelaire
Cats
They are alike, prim scholar and perfervid lover:
When comes the season of decay, they both decide
Upon sweet, husky cats to be the household pride;
Cats choose, like them, to sit, and like them, shudder.
Like partisans of carnal dalliance and science,
They search for silence and the shadowings of dread;
Hell well might harness them as horses for the dead,
If it could bend their native proudness in compliance.
In reverie they emulate the noble mood
Of giant sphinxes stretched in depths of solitude
Who seem to slumber in a never-ending dream;
Within their fertile loins a sparkling magic lies;
Finer than any sand are dusts of gold that gleam,
Vague starpoints, in the mystic iris of their eyes.
The Cat
Come, my fine cat, against my loving heart;
Sheathe your sharp claws, and settle.
And let my eyes into your pupils dart
Where agate sparks with metal.
Now while my fingertips caress at leisure
Your head and wiry curves,
And that my hand’s elated with the pleasure
Of your electric nerves,
I think about my woman — how her glances
Like yours, dear beast, deep-down
And cold, can cut and wound one as with lances;
Then, too, she has that vagrant
And subtle air of danger that makes fragrant
Her body, lithe and brown.
Charles Baudelaire
Charles Baudelaire (1821-1867) is one of the most important poets in French literature (he also made a name for himself as a literary and art critic). While his early poems displayed the influence of Romanticism, he eventually developed a counter-Romantic style, exhibited in Les Fleurs du Mal (Flowers of Evil), a book of poems which express a candid, often shocking, realism that later generations, especially the Modernist poets, would also adopt. In fact, Baudelaire is credited with coining the term “modernity” as a way of describing through verse the ephemera of life in contemporary urban settings, a task which he charged all poets to take up through their work.
Comments