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Geronimo's San Diego ally, the five Indian settlements moved from Warner Hot Springs
Kumeyaay shaman designs, three kinds of local rock art, the locals ate more than acorns
The Hemet Maze Stone, Riverside County. Hedges has identified three styles of rock art in San Diego County: San Luis Rey in North County (characterized by zigzags, chevrons, and diamond chain designs); La Rumorosa, from south of El Cajon extending deep into Mexico; and the unique, mazelike Rancho Bernardo style.
An Indian Chief Plots Revolution
Garra sent couriers to every tribe in San Diego County, including San Pasqual, Santa Isabel, San Luis Rey, and Temecula. At the same time, he also sent runners to tribes in Baja, the Central Valley, and the Colorado River. His message: forget tribal differences; join and subdue the white invaders. He personally visited the “river Indians to the cast”—even the Kamias, who lived on the Colorado Desert and whose chief, Geronimo, became one of Garra’s greatest allies.
By Jeff Smith, June 20, 2002 | Read full article
Estudillo. On November 21, Garra’s letter reached José Antonio Estudillo, a wealthy Californio suspected of encouraging the uprising.
Human Locusts Spoil California
On November 21, Cupeños attacked Americans at Agua Caliente. Led by Garra’s son, Antonio, they found three Americans convalescing at the hot springs: Fiddler, Ridgeley, and Slack. They took the invalids to the burial ground, then stripped and murdered them. Then they went to another house and clubbed and lanced Joe Manning. When they divided his possessions, young Garra and Juan Bautista fought over who should get three large and three small gold pieces.
By Jeff Smith, June 27, 2002 | Read full article
John Warner, 1879. Every single male headed east to avenge the Warner Ranch murders. When they reached Cupa, Garra’s deserted village near Warner Hot Springs, they set it on fire,
Mother of All Warpaths
“Once captured, the Cupeño chief realized that all his efforts to unify the Indians of southern California had failed and that his followers, defeated in battle, were anxious for peace. He was aware that even if released his influence among his people would now be tenuous at best.” Garra tried to implicate Californios in the plot, but his swift trial named him “sole author” of the uprising.
By Jeff Smith, July 3, 2002 | Read full article
There were five settlements: Agua Caliente, Puerta de la Cruz, San José, Puerta Ignoria, and Mataguay, with a total of about 215 Indians living in them.
A Curse Upon This Place
J. Downey Harvey could now legally remove the Indians. There were five settlements: Agua Caliente, Puerta de la Cruz, San José, Puerta Ignoria, and Mataguay; about 215 Indians lived in them, the largest number (128) at the hot springs. Indian improvements to their rancherias, consisting of homes, chapel, school house, and irrigated and cultivated fields and orchards, were worth at least $10,000. But the springs had the potential of becoming a flourishing health spa.
By Richard W. Amero, Sept. 6, 1990 | Read full article
Anthropomorphic pictograph, El Vallecito. A caretaker will perhaps help guide you along a looping mile of easy trail that visits several natural-rock shelters adorned with pictographs.
Shamans under the Influence Made Art for the Ages
Ancestors of today's Kumeyaay Indians are thought to be originators of the red-, black-, and yellow-painted designs, ranging from expansive sun symbols to abstract designs to cartoony anthropomorphic figures. Some, if not all, are surmised to have been the work of shamans under the influence of hallucinogenic substances. One devil-like figure on a shelter wall was painted in the exact spot where the rising winter-solstice sun casts a spear of light across the figure's beady eyes.
By Jerry Schad, May 8, 2003 | Read full article
San Diego's Rock Art Mystery
Hedges has identified three styles of rock art in San Diego County: San Luis Rey in North County (zigzags, chevrons, and diamond chain designs); La Rumorosa, from south of El Cajon extending deep into Mexico (which takes many, often representational, forms); and the unique, mazelike Rancho Bernardo style, which runs in an L-shaped corridor from El Cajon to Moreno, then to the desert. But did the latter begin in the desert, then head toward Rancho Bernardo?
By Jeff Smith, Aug. 7, 2003 | Read full article
In 1602, when Sebastian Vizcaino gave San Diego its name, he saw so many “columns of smoke on the mainland that at night it looked like a procession, and in the daytime the sky was overcast."
The Natural World of the California Indians
“At least 35 tribes used fire to increase the yield of desired seeds; 33 used fire to drive game; 22 groups used it to stimulate the growth of wild tobacco; while other reasons included making vegetable food available, facilitating the collection of seeds, improving visibility, protection from snakes.” The latter suggests a novel way around an old problem. In many native Californian cultures, killing poisonous snakes was taboo. It could bring great evil on the slayer.
By Jeff Smith, Aug. 23, 2001 | Read full article
Here's something you might be interested in.
Geronimo's San Diego ally, the five Indian settlements moved from Warner Hot Springs
Kumeyaay shaman designs, three kinds of local rock art, the locals ate more than acorns
Geronimo's San Diego ally, the five Indian settlements moved from Warner Hot Springs
Kumeyaay shaman designs, three kinds of local rock art, the locals ate more than acorns
The Hemet Maze Stone, Riverside County. Hedges has identified three styles of rock art in San Diego County: San Luis Rey in North County (characterized by zigzags, chevrons, and diamond chain designs); La Rumorosa, from south of El Cajon extending deep into Mexico; and the unique, mazelike Rancho Bernardo style.
An Indian Chief Plots Revolution
Garra sent couriers to every tribe in San Diego County, including San Pasqual, Santa Isabel, San Luis Rey, and Temecula. At the same time, he also sent runners to tribes in Baja, the Central Valley, and the Colorado River. His message: forget tribal differences; join and subdue the white invaders. He personally visited the “river Indians to the cast”—even the Kamias, who lived on the Colorado Desert and whose chief, Geronimo, became one of Garra’s greatest allies.
By Jeff Smith, June 20, 2002 | Read full article
Estudillo. On November 21, Garra’s letter reached José Antonio Estudillo, a wealthy Californio suspected of encouraging the uprising.
Human Locusts Spoil California
On November 21, Cupeños attacked Americans at Agua Caliente. Led by Garra’s son, Antonio, they found three Americans convalescing at the hot springs: Fiddler, Ridgeley, and Slack. They took the invalids to the burial ground, then stripped and murdered them. Then they went to another house and clubbed and lanced Joe Manning. When they divided his possessions, young Garra and Juan Bautista fought over who should get three large and three small gold pieces.
By Jeff Smith, June 27, 2002 | Read full article
John Warner, 1879. Every single male headed east to avenge the Warner Ranch murders. When they reached Cupa, Garra’s deserted village near Warner Hot Springs, they set it on fire,
Mother of All Warpaths
“Once captured, the Cupeño chief realized that all his efforts to unify the Indians of southern California had failed and that his followers, defeated in battle, were anxious for peace. He was aware that even if released his influence among his people would now be tenuous at best.” Garra tried to implicate Californios in the plot, but his swift trial named him “sole author” of the uprising.
By Jeff Smith, July 3, 2002 | Read full article
There were five settlements: Agua Caliente, Puerta de la Cruz, San José, Puerta Ignoria, and Mataguay, with a total of about 215 Indians living in them.
A Curse Upon This Place
J. Downey Harvey could now legally remove the Indians. There were five settlements: Agua Caliente, Puerta de la Cruz, San José, Puerta Ignoria, and Mataguay; about 215 Indians lived in them, the largest number (128) at the hot springs. Indian improvements to their rancherias, consisting of homes, chapel, school house, and irrigated and cultivated fields and orchards, were worth at least $10,000. But the springs had the potential of becoming a flourishing health spa.
By Richard W. Amero, Sept. 6, 1990 | Read full article
Anthropomorphic pictograph, El Vallecito. A caretaker will perhaps help guide you along a looping mile of easy trail that visits several natural-rock shelters adorned with pictographs.
Shamans under the Influence Made Art for the Ages
Ancestors of today's Kumeyaay Indians are thought to be originators of the red-, black-, and yellow-painted designs, ranging from expansive sun symbols to abstract designs to cartoony anthropomorphic figures. Some, if not all, are surmised to have been the work of shamans under the influence of hallucinogenic substances. One devil-like figure on a shelter wall was painted in the exact spot where the rising winter-solstice sun casts a spear of light across the figure's beady eyes.
By Jerry Schad, May 8, 2003 | Read full article
San Diego's Rock Art Mystery
Hedges has identified three styles of rock art in San Diego County: San Luis Rey in North County (zigzags, chevrons, and diamond chain designs); La Rumorosa, from south of El Cajon extending deep into Mexico (which takes many, often representational, forms); and the unique, mazelike Rancho Bernardo style, which runs in an L-shaped corridor from El Cajon to Moreno, then to the desert. But did the latter begin in the desert, then head toward Rancho Bernardo?
By Jeff Smith, Aug. 7, 2003 | Read full article
In 1602, when Sebastian Vizcaino gave San Diego its name, he saw so many “columns of smoke on the mainland that at night it looked like a procession, and in the daytime the sky was overcast."
The Natural World of the California Indians
“At least 35 tribes used fire to increase the yield of desired seeds; 33 used fire to drive game; 22 groups used it to stimulate the growth of wild tobacco; while other reasons included making vegetable food available, facilitating the collection of seeds, improving visibility, protection from snakes.” The latter suggests a novel way around an old problem. In many native Californian cultures, killing poisonous snakes was taboo. It could bring great evil on the slayer.
By Jeff Smith, Aug. 23, 2001 | Read full article
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