Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Movie critic Duncan Shepherd answers critics, Vincente Minnelli, Robert Rossellini visit UCSD
Squeezing Cinemascope into a TV screen, San Diego's movie theaters on the line
Sound of Music — one star (low rating), a judgement criticized by readers.
Shoot If You Must This Old Grey Head
The complainer expects to be in agreement: he is certain that there is some chicanery afoot if his innate common sense clashes with some idea he encounters: and he is undoubtedly the one in Humanities classrooms across the country who declares out loud, citing the fusty wrong-headedness of their ideas, that Plato was an ostrich, Augustine a bat, Strindberg a pig, and Hemingway a lot of bull.
August 29, 1974 | Read full article
Vincent Minnelli (left) in Copley Auditorium discussion: "It's all intuitive."
The Courtship of Liza's Father
When chased down by a question on his working methods — what does he try for in the way of color? In the way of camerawork? — Vincente Minnelli, showing as much wonderment as any onlooker, held up the durable deflection device, "It's all intuitive." In short, the billowy prestige due to movie directors, as a class, was hauled down and folded up, like a sail.
September 5, 1974 | Read full article
From The Gambler. Anyone who has actually engaged in watching The Mad Adventures of Rabbi Jacob, Deep Throat II, Wonder Women, and The Groove TubeLaw and Disorder or The Gambler.
Seeing Stars and Spots
I am convinced that the entire population will see The Sting, Chinatown, and The Exorcist regardless of anything I might print about them, and that is fine with me; I wish everyone saw more — or at least more varied — movies, and not fewer.
November 14, 1974 | Read full article
A Cinemascope image is in a considerably more extreme ratio (1 x 2.35). Hold up any of the rectangles to your square-ish TV screen and you can begin to whiff some awareness of what you are losing when you watch a movie on TV.
Crop Failure
The most obvious damage done to a movie that has been trimmed, cropped, to fit the TV space, is to the composition of the images. It is like a museum trying to fit a painting of The Last Supper into a tight squeeze space by knocking off three or four disciples from each end of the picture.
September 13, 1973 | Read full article
Film director Robert Rossellini with Jonas Salk outside the Marine Room in La Jolla. Fruit salad lunch at the Marine Room, tour of the Salk Institute conducted by Jonas Salk himself, spaghetti dinner at the La Valencia.
Old Movie Critics Never Die
I do not care if UCSD students ever get the chance to see Fists of Fury or The Eyes of Hell. Presumably, college students must sit still for enough froth and trivia during their classes all week long without needing to be bothered with more of it when they go to a movie.
November 1, 1973 | Read full article
My private annoyance with Mann Theatres originated when the Loma Theatre, which would prefer to run a movie for all of eternity, held Fiddler on the Roof for a full year.
Movie Houses I Have Known
It was probably incorrect to expect anything from this quaint place, with its church-pew seats and windows at the back of the auditorium; one assumed a certain intellectual standing simply because its snack bar dispenses items like guava juice and oatmeal-date bars.
December 13, 1973 | Read full article
Here's something you might be interested in.
Movie critic Duncan Shepherd answers critics, Vincente Minnelli, Robert Rossellini visit UCSD
Squeezing Cinemascope into a TV screen, San Diego's movie theaters on the line
Movie critic Duncan Shepherd answers critics, Vincente Minnelli, Robert Rossellini visit UCSD
Squeezing Cinemascope into a TV screen, San Diego's movie theaters on the line
Sound of Music — one star (low rating), a judgement criticized by readers.
Shoot If You Must This Old Grey Head
The complainer expects to be in agreement: he is certain that there is some chicanery afoot if his innate common sense clashes with some idea he encounters: and he is undoubtedly the one in Humanities classrooms across the country who declares out loud, citing the fusty wrong-headedness of their ideas, that Plato was an ostrich, Augustine a bat, Strindberg a pig, and Hemingway a lot of bull.
August 29, 1974 | Read full article
Vincent Minnelli (left) in Copley Auditorium discussion: "It's all intuitive."
The Courtship of Liza's Father
When chased down by a question on his working methods — what does he try for in the way of color? In the way of camerawork? — Vincente Minnelli, showing as much wonderment as any onlooker, held up the durable deflection device, "It's all intuitive." In short, the billowy prestige due to movie directors, as a class, was hauled down and folded up, like a sail.
September 5, 1974 | Read full article
From The Gambler. Anyone who has actually engaged in watching The Mad Adventures of Rabbi Jacob, Deep Throat II, Wonder Women, and The Groove TubeLaw and Disorder or The Gambler.
Seeing Stars and Spots
I am convinced that the entire population will see The Sting, Chinatown, and The Exorcist regardless of anything I might print about them, and that is fine with me; I wish everyone saw more — or at least more varied — movies, and not fewer.
November 14, 1974 | Read full article
A Cinemascope image is in a considerably more extreme ratio (1 x 2.35). Hold up any of the rectangles to your square-ish TV screen and you can begin to whiff some awareness of what you are losing when you watch a movie on TV.
Crop Failure
The most obvious damage done to a movie that has been trimmed, cropped, to fit the TV space, is to the composition of the images. It is like a museum trying to fit a painting of The Last Supper into a tight squeeze space by knocking off three or four disciples from each end of the picture.
September 13, 1973 | Read full article
Film director Robert Rossellini with Jonas Salk outside the Marine Room in La Jolla. Fruit salad lunch at the Marine Room, tour of the Salk Institute conducted by Jonas Salk himself, spaghetti dinner at the La Valencia.
Old Movie Critics Never Die
I do not care if UCSD students ever get the chance to see Fists of Fury or The Eyes of Hell. Presumably, college students must sit still for enough froth and trivia during their classes all week long without needing to be bothered with more of it when they go to a movie.
November 1, 1973 | Read full article
My private annoyance with Mann Theatres originated when the Loma Theatre, which would prefer to run a movie for all of eternity, held Fiddler on the Roof for a full year.
Movie Houses I Have Known
It was probably incorrect to expect anything from this quaint place, with its church-pew seats and windows at the back of the auditorium; one assumed a certain intellectual standing simply because its snack bar dispenses items like guava juice and oatmeal-date bars.
December 13, 1973 | Read full article
Comments