- I
- From fairest creatures we desire increase,
- That thereby beauty’s rose might never die,
- But as the riper should by time decease,
- His tender heir might bear his memory:
- But thou contracted to thine own bright eyes,
- Feed’st thy light’s flame with self-substantial fuel,
- Making a famine where abundance lies,
- Thy self thy foe, to thy sweet self too cruel:
- Thou that art now the world’s fresh ornament,
- And only herald to the gaudy spring,
- Within thine own bud buriest thy content,
- And, tender churl, mak’st waste in niggarding:
- Pity the world, or else this glutton be,
- To eat the world’s due, by the grave and thee.
- II
- When forty winters shall besiege thy brow,
- And dig deep trenches in thy beauty’s field,
- Thy youth’s proud livery so gazed on now,
- Will be a totter’d weed of small worth held:
- Then being asked, where all thy beauty lies,
- Where all the treasure of thy lusty days;
- To say, within thine own deep sunken eyes,
- Were an all-eating shame, and thriftless praise.
- How much more praise deserv’d thy beauty’s use,
- If thou couldst answer ‘This fair child of mine
- Shall sum my count, and make my old excuse,’
- Proving his beauty by succession thine!
- This were to be new made when thou art old,
- And see thy blood warm when thou feel’st it cold.
- III
- Look in thy glass and tell the face thou viewest
- Now is the time that face should form another;
- Whose fresh repair if now thou not renewest,
- Thou dost beguile the world, unbless some mother.
- For where is she so fair whose uneared womb
- Disdains the tillage of thy husbandry?
- Or who is he so fond will be the tomb
- Of his self-love, to stop posterity?
- Thou art thy mother’s glass and she in thee
- Calls back the lovely April of her prime;
- So thou through windows of thine age shalt see,
- Despite of wrinkles, this thy golden time.
- But if thou live, remembered not to be,
- Die single and thine image dies with thee.
William Shakespeare
William Shakespeare (1564–1616), who needs no introduction on a poetry page, was considered the greatest English poet — and perhaps one of the greatest poets of any language — to put pen to paper. The general reading public usually demonstrates an increased interest in his work, especially his sonnets on love, around Valentine’s Day