Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
The scandal of cell phones at classical music concerts
Anne-Sophie Mutter.and the Cincinnati Symphony
How the controversy was playing out on Flipboard.com.
No one in the history of recorded classical music has benefited more from media than violinist Anne-Sophie Mutter. At age 13 was selected by Herbert von Karajan. At age 15 she was recorded for the first time with von Karajan and the Berlin Philharmonic on the monolithic Deutsche Grammophon label.
Over the past four decades she has continued to be a staple of the “golden label.” DG and Mutter just released a new recording of John Williams’s music, conducted by the venerable composer, on September 27, 2019.
However, don’t you dare try to make your own recording of Anne-Sophie. At a concert of the Cincinnati Orchestra, a patron in one of the front rows tried to do just that. Mutter stopped playing and confronted the patron in the middle of the concert. The patron pushed back and was eventually escorted out by the president of the symphony.
People then took to social media, ironically, to implore patrons to honor the artform. In keeping with their anti-technology agenda they should have taken an ad out in the local paper and maybe created a direct-mail apology for the patrons in attendance.
I go back and forth on this issue.
In an ideal world, a concert is experienced as it is and in the moment. However, an ideal world is not a realistic world.
If we immerse ourselves in reality we understand that technology doesn’t slow down, it speeds up. We understand it is a matter of time before devices confirm their presence in the concert hall and the opera house. For now, devices are a naughty secret in the classical music world.
Here’s what I regard to be the sad truth. This patron was so moved, by the music being performed, that she wanted to do the impossible and capture the moment for posterity. For this she was publicly shamed by a world famous artist. That Mutter stopped playing in the middle of the slow movement of Beethoven’s Violin Concerto I find to be a transgression of titanic proportions.
What are the odds that patron ever goes back? I know I wouldn’t. I would tell that story to all my friends and encourage them to never go to the Cincinnati Symphony.
What could have been a tiny personal sharing moment, albeit misguided, is now almost certainly a raging, personal anti-Cincinnati Orchestra campaign.
Classical music has managed to turn a supporter into a new hater. I could be wrong, and my theory is complete conjecture, but how would you react?
Who is to blame? It doesn’t matter.
In sharing this story with some friends they mentioned the distraction of a phone screen. I mentioned the distraction of someone next to you turning pages in the program during the performance. Are we really that distracted by the light of a phone screen? How about sitting next to a “loud-breather” or a chronic cougher, or someone who thinks a loud-whisper isn’t loud? A silent screen seems somewhat innocuous in comparison.
Here's something you might be interested in.
The scandal of cell phones at classical music concerts
Anne-Sophie Mutter.and the Cincinnati Symphony
The scandal of cell phones at classical music concerts
Anne-Sophie Mutter.and the Cincinnati Symphony
How the controversy was playing out on Flipboard.com.
No one in the history of recorded classical music has benefited more from media than violinist Anne-Sophie Mutter. At age 13 was selected by Herbert von Karajan. At age 15 she was recorded for the first time with von Karajan and the Berlin Philharmonic on the monolithic Deutsche Grammophon label.
Over the past four decades she has continued to be a staple of the “golden label.” DG and Mutter just released a new recording of John Williams’s music, conducted by the venerable composer, on September 27, 2019.
However, don’t you dare try to make your own recording of Anne-Sophie. At a concert of the Cincinnati Orchestra, a patron in one of the front rows tried to do just that. Mutter stopped playing and confronted the patron in the middle of the concert. The patron pushed back and was eventually escorted out by the president of the symphony.
People then took to social media, ironically, to implore patrons to honor the artform. In keeping with their anti-technology agenda they should have taken an ad out in the local paper and maybe created a direct-mail apology for the patrons in attendance.
I go back and forth on this issue.
In an ideal world, a concert is experienced as it is and in the moment. However, an ideal world is not a realistic world.
If we immerse ourselves in reality we understand that technology doesn’t slow down, it speeds up. We understand it is a matter of time before devices confirm their presence in the concert hall and the opera house. For now, devices are a naughty secret in the classical music world.
Here’s what I regard to be the sad truth. This patron was so moved, by the music being performed, that she wanted to do the impossible and capture the moment for posterity. For this she was publicly shamed by a world famous artist. That Mutter stopped playing in the middle of the slow movement of Beethoven’s Violin Concerto I find to be a transgression of titanic proportions.
What are the odds that patron ever goes back? I know I wouldn’t. I would tell that story to all my friends and encourage them to never go to the Cincinnati Symphony.
What could have been a tiny personal sharing moment, albeit misguided, is now almost certainly a raging, personal anti-Cincinnati Orchestra campaign.
Classical music has managed to turn a supporter into a new hater. I could be wrong, and my theory is complete conjecture, but how would you react?
Who is to blame? It doesn’t matter.
In sharing this story with some friends they mentioned the distraction of a phone screen. I mentioned the distraction of someone next to you turning pages in the program during the performance. Are we really that distracted by the light of a phone screen? How about sitting next to a “loud-breather” or a chronic cougher, or someone who thinks a loud-whisper isn’t loud? A silent screen seems somewhat innocuous in comparison.
Comments