Robert Griffith
Geometry
- Above the lake, the little birds flit
- in shallow sine waves, skimming low
- to catch the mayfly hatch, and leaving cold,
- concentric rings where beaks and wingtips kiss
- the glass. The morning light is pale and clear,
- a whiteboard where the shapes of all the world
- are waiting to be drawn. I stand and watch
- the birds, their catenaries steep and wild.
- What force is this that stokes their frantic hearts,
- that holds me shorebound in the morning chill?
- I’m sure I’ll never know. Yet still I feel
- the pull of all that life, and even more
- I cannot help but feel your gravid heart
- asleep behind me in the cabin. It tugs
- me back from apogee, and I begin
- to fall, a grateful arc across the beach,
- a curving path that takes me back to you.
The Dark Between the Stars
- From the dresser where it sits, green and plush,
- Her turtle throws Platonic stars on walls
- And ceiling both. They hang there in the hush,
- A sky where nothing moves and no star falls,
- And light my daughter’s room in firefly glow.
- Awake and curled beneath the sheets, she grips
- Imaginary oars and starts to row.
- Her ocean’s midnight black and vast. It slips
- Beneath her bed, a purling beast that sweeps
- Her farther out to sea, to distant isles
- Where nights are long and hidden danger sleeps.
- Back home, I unfold maps and count the miles.
- I watch the constellations. So bright and far
- Away, she plies the dark between the stars.
The End of Time
- So now, forever now, the sun hangs
- like a cold and pendent fire upon a bough,
- and the whole serrated sea is still, sculpted
- glass and foam beneath a watercolor sky.
- And even here, far inland, in a place
- where grass is trimmed each week, where robins cry
- the dawn and sidewalks girdle all we know
- and love, even here the gears of time
- have shivered to a stop. The air is fixed,
- the silence certain. Peace and horror drop
- heavy as a velvet curtain, and all
- the bright, unnumbered world begins to dim.
- The final photons fall like flakes of snow,
- like incandescent bits of time that cling
- to faces, hands, and lips. And as the world
- goes dark, a stage that fades to black, we glow.
Rob Griffith’s latest book, The Moon from Every Window (David Robert Books, 2011), was nominated for the 2013 Poets’ Prize; and his previous book, A Matinee in Plato’s Cave, was the winner of the 2009 Best Book of Indiana Award. His work has appeared in PN Review, Poetry, The North American Review, Poems & Plays, The Oxford American, and many others. He is the editor of the journal Measure and teaches in the creative writing program at the University of Evansville, Indiana.