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Her turtle throws Platonic stars on walls

Three poems by Robert Griffith

Robert Griffith
Robert Griffith

Geometry

  • Above the lake, the little birds flit
  • in shallow sine waves, skimming low
  • to catch the mayfly hatch, and leaving cold,
  • concentric rings where beaks and wingtips kiss
  • the glass. The morning light is pale and clear,
  • a whiteboard where the shapes of all the world
  • are waiting to be drawn. I stand and watch
  • the birds, their catenaries steep and wild.
  • What force is this that stokes their frantic hearts,
  • that holds me shorebound in the morning chill?
  • I’m sure I’ll never know. Yet still I feel
  • the pull of all that life, and even more
  • I cannot help but feel your gravid heart
  • asleep behind me in the cabin. It tugs
  • me back from apogee, and I begin
  • to fall, a grateful arc across the beach,
  • a curving path that takes me back to you.

The Dark Between the Stars

  • From the dresser where it sits, green and plush,
  • Her turtle throws Platonic stars on walls
  • And ceiling both. They hang there in the hush,
  • A sky where nothing moves and no star falls,
  • And light my daughter’s room in firefly glow.
  • Awake and curled beneath the sheets, she grips
  • Imaginary oars and starts to row.
  • Her ocean’s midnight black and vast. It slips
  • Beneath her bed, a purling beast that sweeps
  • Her farther out to sea, to distant isles
  • Where nights are long and hidden danger sleeps.
  • Back home, I unfold maps and count the miles.
  • I watch the constellations. So bright and far
  • Away, she plies the dark between the stars.

The End of Time

  • So now, forever now, the sun hangs
  • like a cold and pendent fire upon a bough,
  • and the whole serrated sea is still, sculpted
  • glass and foam beneath a watercolor sky.
  • And even here, far inland, in a place
  • where grass is trimmed each week, where robins cry
  • the dawn and sidewalks girdle all we know
  • and love, even here the gears of time
  • have shivered to a stop. The air is fixed,
  • the silence certain. Peace and horror drop
  • heavy as a velvet curtain, and all
  • the bright, unnumbered world begins to dim.
  • The final photons fall like flakes of snow,
  • like incandescent bits of time that cling
  • to faces, hands, and lips. And as the world
  • goes dark, a stage that fades to black, we glow.

Rob Griffith’s latest book, The Moon from Every Window (David Robert Books, 2011), was nominated for the 2013 Poets’ Prize; and his previous book, A Matinee in Plato’s Cave, was the winner of the 2009 Best Book of Indiana Award. His work has appeared in PN Review, Poetry, The North American Review, Poems & Plays, The Oxford American, and many others. He is the editor of the journal Measure and teaches in the creative writing program at the University of Evansville, Indiana.

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Robert Griffith
Robert Griffith

Geometry

  • Above the lake, the little birds flit
  • in shallow sine waves, skimming low
  • to catch the mayfly hatch, and leaving cold,
  • concentric rings where beaks and wingtips kiss
  • the glass. The morning light is pale and clear,
  • a whiteboard where the shapes of all the world
  • are waiting to be drawn. I stand and watch
  • the birds, their catenaries steep and wild.
  • What force is this that stokes their frantic hearts,
  • that holds me shorebound in the morning chill?
  • I’m sure I’ll never know. Yet still I feel
  • the pull of all that life, and even more
  • I cannot help but feel your gravid heart
  • asleep behind me in the cabin. It tugs
  • me back from apogee, and I begin
  • to fall, a grateful arc across the beach,
  • a curving path that takes me back to you.

The Dark Between the Stars

  • From the dresser where it sits, green and plush,
  • Her turtle throws Platonic stars on walls
  • And ceiling both. They hang there in the hush,
  • A sky where nothing moves and no star falls,
  • And light my daughter’s room in firefly glow.
  • Awake and curled beneath the sheets, she grips
  • Imaginary oars and starts to row.
  • Her ocean’s midnight black and vast. It slips
  • Beneath her bed, a purling beast that sweeps
  • Her farther out to sea, to distant isles
  • Where nights are long and hidden danger sleeps.
  • Back home, I unfold maps and count the miles.
  • I watch the constellations. So bright and far
  • Away, she plies the dark between the stars.

The End of Time

  • So now, forever now, the sun hangs
  • like a cold and pendent fire upon a bough,
  • and the whole serrated sea is still, sculpted
  • glass and foam beneath a watercolor sky.
  • And even here, far inland, in a place
  • where grass is trimmed each week, where robins cry
  • the dawn and sidewalks girdle all we know
  • and love, even here the gears of time
  • have shivered to a stop. The air is fixed,
  • the silence certain. Peace and horror drop
  • heavy as a velvet curtain, and all
  • the bright, unnumbered world begins to dim.
  • The final photons fall like flakes of snow,
  • like incandescent bits of time that cling
  • to faces, hands, and lips. And as the world
  • goes dark, a stage that fades to black, we glow.

Rob Griffith’s latest book, The Moon from Every Window (David Robert Books, 2011), was nominated for the 2013 Poets’ Prize; and his previous book, A Matinee in Plato’s Cave, was the winner of the 2009 Best Book of Indiana Award. His work has appeared in PN Review, Poetry, The North American Review, Poems & Plays, The Oxford American, and many others. He is the editor of the journal Measure and teaches in the creative writing program at the University of Evansville, Indiana.

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The latest copy of the Reader

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