Here's something you might be interested in.
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Perhaps hope in life after death is the only answer
Make a story out of it
Quality prose can make even the grimmest tale more enjoyable.
Post title: Why and How to Tell a Story Effectively
Post date: January 5, 2016
The long process of finalizing my book What About the Boy? involved participation in several workshops and critique groups, which seemed to awaken in me a greater sensitivity for what works or fails to work in writing. Also, to keep that perception sharp, I formed the habit of exercising it via reviews of every book I read.
Sadly, I no longer write much at all. Events have distracted me from that kind of thinking. But I still delight in great writing when I see it and look for the features that make it great. And I enjoy contemplating ways in which writing that’s merely good might become great.
It’s a matter of communication. People respond to stories. If you need to convey an important message to others, consider making a story out of it. Coaches for job applicants insist that information presented in story format is more likely to make an impression on the hiring manager. In fact, managers now expect memorable situation → action → response anecdotes for every trait a candidate claims to offer.
Likewise, good business proposals promise an unfolding sequence of events in which the recipient’s need is transformed into success, with minimal fuss and at an acceptable cost.
The same process goes on in courtrooms, as well. Having served on several juries, I’ve observed the way trial lawyers sought to influence my peers and me through compelling stories.
But stories don’t always achieve the desired result. In every legal contest, one side loses. During my days as a proposal development specialist, I helped assemble some excellent bids that met with rejection. There’ve been many job interviews in which I failed to convince decision-makers that I was their ideal choice. And publishers are forever receiving, and rejecting, manuscripts. Way too often, readers of published books also put them aside unfinished, regretting the time spent.
So, the simple act of verbalizing a message is not enough. Before it is shared, any important communication deserves, as a bare minimum, reflection and self-editing. It’s easy to find checklists that condense that process. Bullet points may oversimplify things, but like the guidelines they seek to convey, they’re a helpful device. High planes of achievement may call for a bit more than these examples, but here’s a start:
Shoot for a beginning that will convert a casual reader or listener into someone who willingly puts everything else aside.
Unless you are writing for or talking to yourself, be mindful of the takeaway your audience needs to have.
Don’t let that audience become distracted by needless ambiguities or doubts concerning your ability to get to that takeaway.
Except in cases where details would be a distraction, be specific. Use real people, real events, real dialogue.
Strive for short paragraphs, short sentences, simple words, active voice.
Use analogies and metaphors. Such devices help people visualize and connect with your subject.
Consider withholding a key or startling piece of information until the end (as Paul Harvey used to do in radio bits that “turned news into narrative”).
We all have stories to tell. When we tell them effectively, everyone benefits.
Post Title: Books enjoyed in 2015
Post Date: December 5, 2015
The Lazarus Project, by Aleksandar Hemon
Vladamir Brik, currently unemployed and married to an eminent Chicago brain surgeon, has conceived the notion of writing a book as a means of overcoming his sense of mediocrity.
The subject of that book would be an incident that had occurred 100 years earlier, but the telling becomes interwoven with Brik’s own life. The two parallel stories dramatize essentially the same theme, which is the effect of one party having “unlimited power over someone else’s life and death.”
Brik indulges in some confused speculation about the biblical Lazarus, who was raised from the dead. If people with status, governmental authority, or even a momentary advantage will always make this life so disappointing, perhaps hope in life after death is the only answer. Not that Brik is in the least bit religious. I should mention that, despite this rather grim view, the book is actually quite enjoyable, largely because of the quality of the prose.
[Posts edited for length]
Title: What About the Boy? | Address:
Author: fatherspledge | From: Carmel Valley | Blogging since: March 2011
Here's something you might be interested in.
Perhaps hope in life after death is the only answer
Make a story out of it
Perhaps hope in life after death is the only answer
Make a story out of it
Quality prose can make even the grimmest tale more enjoyable.
Post title: Why and How to Tell a Story Effectively
Post date: January 5, 2016
The long process of finalizing my book What About the Boy? involved participation in several workshops and critique groups, which seemed to awaken in me a greater sensitivity for what works or fails to work in writing. Also, to keep that perception sharp, I formed the habit of exercising it via reviews of every book I read.
Sadly, I no longer write much at all. Events have distracted me from that kind of thinking. But I still delight in great writing when I see it and look for the features that make it great. And I enjoy contemplating ways in which writing that’s merely good might become great.
It’s a matter of communication. People respond to stories. If you need to convey an important message to others, consider making a story out of it. Coaches for job applicants insist that information presented in story format is more likely to make an impression on the hiring manager. In fact, managers now expect memorable situation → action → response anecdotes for every trait a candidate claims to offer.
Likewise, good business proposals promise an unfolding sequence of events in which the recipient’s need is transformed into success, with minimal fuss and at an acceptable cost.
The same process goes on in courtrooms, as well. Having served on several juries, I’ve observed the way trial lawyers sought to influence my peers and me through compelling stories.
But stories don’t always achieve the desired result. In every legal contest, one side loses. During my days as a proposal development specialist, I helped assemble some excellent bids that met with rejection. There’ve been many job interviews in which I failed to convince decision-makers that I was their ideal choice. And publishers are forever receiving, and rejecting, manuscripts. Way too often, readers of published books also put them aside unfinished, regretting the time spent.
So, the simple act of verbalizing a message is not enough. Before it is shared, any important communication deserves, as a bare minimum, reflection and self-editing. It’s easy to find checklists that condense that process. Bullet points may oversimplify things, but like the guidelines they seek to convey, they’re a helpful device. High planes of achievement may call for a bit more than these examples, but here’s a start:
Shoot for a beginning that will convert a casual reader or listener into someone who willingly puts everything else aside.
Unless you are writing for or talking to yourself, be mindful of the takeaway your audience needs to have.
Don’t let that audience become distracted by needless ambiguities or doubts concerning your ability to get to that takeaway.
Except in cases where details would be a distraction, be specific. Use real people, real events, real dialogue.
Strive for short paragraphs, short sentences, simple words, active voice.
Use analogies and metaphors. Such devices help people visualize and connect with your subject.
Consider withholding a key or startling piece of information until the end (as Paul Harvey used to do in radio bits that “turned news into narrative”).
We all have stories to tell. When we tell them effectively, everyone benefits.
Post Title: Books enjoyed in 2015
Post Date: December 5, 2015
The Lazarus Project, by Aleksandar Hemon
Vladamir Brik, currently unemployed and married to an eminent Chicago brain surgeon, has conceived the notion of writing a book as a means of overcoming his sense of mediocrity.
The subject of that book would be an incident that had occurred 100 years earlier, but the telling becomes interwoven with Brik’s own life. The two parallel stories dramatize essentially the same theme, which is the effect of one party having “unlimited power over someone else’s life and death.”
Brik indulges in some confused speculation about the biblical Lazarus, who was raised from the dead. If people with status, governmental authority, or even a momentary advantage will always make this life so disappointing, perhaps hope in life after death is the only answer. Not that Brik is in the least bit religious. I should mention that, despite this rather grim view, the book is actually quite enjoyable, largely because of the quality of the prose.
[Posts edited for length]
Title: What About the Boy? | Address:
Author: fatherspledge | From: Carmel Valley | Blogging since: March 2011
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