Rocketed to the top of the charts by the Bruno Marsβpiloted hit βUptown Funkβ β with its Princely synths, Towering horns, and sly James Brown-isms (βgotta kiss myself so prettyβ) β Mark Ronsonβs latest is an ambitious homage to β70s and β80s funk and soul. While the well-chosen lead single fires on all cylinders, it feels like the rest of Uptown Special is struggling to keep up.
Similar to Ronsonβs three previous albums, Special is a collaborative effort featuring an inspired guest list that, in addition to Mars, includes Stevie Wonder, rapper Mystikal, Kanye producer Jeff Bhasker, and Pulitzer-winning author Michael Chabon, who wrote most of the albumβs lyrics.
With a lineup like that, you might expect a masterpiece, but as much as the album impresses, it also disappoints. The languid βCrack in the Pearlβ never really opens up and, sadly, Wonderβs a waste β only providing his signature harmonica stamp on the albumβs truncated opening and closing songs.
The laid-back, Andrew Wyatt-assisted βHeavy and Rollingβ is a charmer, but the real star of Special is Tame Impalaβs Kevin Parker, who lends his ethereal falsetto to three of the albumβs best tracks, including the trippy-dippy βDaffodilsβ and hook-laden βLeaving Los Feliz.β
Reimagining retro sounds is familiar ground for Ronson; in addition to his own work, the super-producer took Amy Winehouse to new heights with Back to Black, her groundbreaking album steeped in the β60s. Unfortunately, the uneven Uptown Special doesnβt quite find its groove.
Rocketed to the top of the charts by the Bruno Marsβpiloted hit βUptown Funkβ β with its Princely synths, Towering horns, and sly James Brown-isms (βgotta kiss myself so prettyβ) β Mark Ronsonβs latest is an ambitious homage to β70s and β80s funk and soul. While the well-chosen lead single fires on all cylinders, it feels like the rest of Uptown Special is struggling to keep up.
Similar to Ronsonβs three previous albums, Special is a collaborative effort featuring an inspired guest list that, in addition to Mars, includes Stevie Wonder, rapper Mystikal, Kanye producer Jeff Bhasker, and Pulitzer-winning author Michael Chabon, who wrote most of the albumβs lyrics.
With a lineup like that, you might expect a masterpiece, but as much as the album impresses, it also disappoints. The languid βCrack in the Pearlβ never really opens up and, sadly, Wonderβs a waste β only providing his signature harmonica stamp on the albumβs truncated opening and closing songs.
The laid-back, Andrew Wyatt-assisted βHeavy and Rollingβ is a charmer, but the real star of Special is Tame Impalaβs Kevin Parker, who lends his ethereal falsetto to three of the albumβs best tracks, including the trippy-dippy βDaffodilsβ and hook-laden βLeaving Los Feliz.β
Reimagining retro sounds is familiar ground for Ronson; in addition to his own work, the super-producer took Amy Winehouse to new heights with Back to Black, her groundbreaking album steeped in the β60s. Unfortunately, the uneven Uptown Special doesnβt quite find its groove.