Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Shakedown shutdown
Griffin gave heart and soul, but “the San Diego music scene is tough.”
Singer/guitarist Travis Wheeler recalls the first time his punk/metal band Stealth Jackson tried to play the Shakedown.
“The show was canceled because there was no electricity. It was, ‘Sorry, no show tonight.’ But it was a great place to play.”
Being the last band onstage on Saturday, October 25, Stealth Jackson now has the distinction of being the last band to play the Shakedown.
Shortly after that show, other bands that were booked to play the Sports Arena area club started calling around, looking for replacement gigs. They were told their November/December shows at the Shakedown weren’t going to happen.
“There’s not too much to say other than I tried my best,” Shakedown owner/booker Anilee Griffin tells the Reader. “[I] Worked my hardest to keep it going, but the San Diego music scene is tough. We don’t have much foot traffic so I relied only on music, but it wasn’t enough. I gave it my heart and soul. It was never about money, just about supporting live music.”
Before she took over the Shakedown, Griffin booked the talent for the Flying Elephant in Carlsbad. She oversaw the 200-capacity punk rock/rockabilly/metal bar for two years. Before that, the Shakedown was owned and operated by “Dead Ted” Thompson, who annointed the bar as a place for “Booze, Bikes, Bands, Broads, and Rods.”
In years past, the location housed the Rhythm Lounge and a strip bar called the Doll House.
“I really liked the place,” says L.A.-based talent agent Brando Von Badsville, who sent touring bands such as Gambler’s Mark, Cold Blue Rebels, and the Quakes down to play the Shakedown. “If I lived in San Diego, I would have hung out there all the time. They really treated all their bands well.” Von Badsville says that now he will probably call on Til-Two or the Soda Bar.
Stealth Jackson’s Wheeler says he will miss the Shakedown partly for what it wasn’t: a pay-to-play bar. He says the best model for a bar with live bands is to pay bands based on how many heads they get through the door, not paying for a block of tickets in advance.
Bassist Mike Muellenberg agrees. He plays bass in League of Liars, which played just before Stealth Jackson in that swan-song show. “A lot of bars expect the bands to come up with money up front. A lot of us just don’t have the funds.” He says the Shakedown didn’t shake them down for pre-sales. “The Shakedown was a dive bar, but it was not as divey as some I’ve been in.”
Here's something you might be interested in.
Shakedown shutdown
Shakedown shutdown
Griffin gave heart and soul, but “the San Diego music scene is tough.”
Singer/guitarist Travis Wheeler recalls the first time his punk/metal band Stealth Jackson tried to play the Shakedown.
“The show was canceled because there was no electricity. It was, ‘Sorry, no show tonight.’ But it was a great place to play.”
Being the last band onstage on Saturday, October 25, Stealth Jackson now has the distinction of being the last band to play the Shakedown.
Shortly after that show, other bands that were booked to play the Sports Arena area club started calling around, looking for replacement gigs. They were told their November/December shows at the Shakedown weren’t going to happen.
“There’s not too much to say other than I tried my best,” Shakedown owner/booker Anilee Griffin tells the Reader. “[I] Worked my hardest to keep it going, but the San Diego music scene is tough. We don’t have much foot traffic so I relied only on music, but it wasn’t enough. I gave it my heart and soul. It was never about money, just about supporting live music.”
Before she took over the Shakedown, Griffin booked the talent for the Flying Elephant in Carlsbad. She oversaw the 200-capacity punk rock/rockabilly/metal bar for two years. Before that, the Shakedown was owned and operated by “Dead Ted” Thompson, who annointed the bar as a place for “Booze, Bikes, Bands, Broads, and Rods.”
In years past, the location housed the Rhythm Lounge and a strip bar called the Doll House.
“I really liked the place,” says L.A.-based talent agent Brando Von Badsville, who sent touring bands such as Gambler’s Mark, Cold Blue Rebels, and the Quakes down to play the Shakedown. “If I lived in San Diego, I would have hung out there all the time. They really treated all their bands well.” Von Badsville says that now he will probably call on Til-Two or the Soda Bar.
Stealth Jackson’s Wheeler says he will miss the Shakedown partly for what it wasn’t: a pay-to-play bar. He says the best model for a bar with live bands is to pay bands based on how many heads they get through the door, not paying for a block of tickets in advance.
Bassist Mike Muellenberg agrees. He plays bass in League of Liars, which played just before Stealth Jackson in that swan-song show. “A lot of bars expect the bands to come up with money up front. A lot of us just don’t have the funds.” He says the Shakedown didn’t shake them down for pre-sales. “The Shakedown was a dive bar, but it was not as divey as some I’ve been in.”
Comments