Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Mario Quintero and Black Box Studio
"I got beat up by the ghost of a small child when I was 16. I swear!"
Even if you haven’t heard of Mario Quintero’s bands Sleep Lady (whose bassist is his wife, Sarah Quintero) and Hialeah, if you’re a San Diego music fan, you probably own something produced at his Black Box Studio in Golden Hill.
A partial list of his local clients includes Transfer, Modern Rifles, Japanese Sunday, Apes of Wrath, the Long and Short of It, the North Atlantic, Goodbye Blue Monday, Marasol, Sirhan Sirhan, A Scribe Amidst the Lions, Swim Party, Fever Sleeves, and the newest from the Beautiful View, with whom Quintero just finished showcasing at Austin’s South By Southwest music fest.
After studying jazz composition and arranging at Berklee College of Music (1998–2001), Quintero relocated to San Diego with fellow Miami transplant Mike Pereira and opened Black Box in late 2005.
“It was originally conceived as a wired concert venue, where we could record live performances,” says Quintero. “We had bands like Goblin Cock and Ilya come in to play shows, and all while we were building this maze of soundproof rooms and collecting equipment [to do] more sophisticated full-service recording.” The studio is now also home to Quintero’s record label, Requiemme.
Quintero feels it’s important to maintain his hand in at least one or two working bands. “The studio doesn’t leave me a lot of free time…with Sleep Lady, I mainly play guitar. I also play drums in a band called Great Like Cake, which is more of a post-punk-type thing. Much of what I do now, musically, is more on the recording and production side of things. I do a lot of session playing and arranging with the other bands.”
WHO ARE YOU LISTENING TO?
“Immovable Objects, East of Sweden, D/wolves, and, if I’m lucky and there’s still time on the clock, some Helmet.”
WHAT'S YOUR MUSIC PLAYER?
“I tend to use my phone as my main music-listening device, but it’s rare these days that I get a chance to listen to music because I’m usually too busy working with music. So mostly I’m listening to either demos of the bands I’m working with or playing rough mixes to get mixing and production ideas.”
ANYONE YOU WERE EMBARRASSED TO MENTION?
“Even though I actually like this song, and it’s over ten years old, it would have to be ‘Nothin,’ by a hip-hop group called N.O.R.E.”
FAVORITE LONG-GONE LOCAL VENUE?
“I really used to enjoy the free shows at Scolari’s Office, back in the day.”
BRUSH WITH FAME?
“Greg Allman practiced at Black Box in 2009 before his show at Humphrey’s. He packed a bowl [with marijuana], so I couldn’t say no.”
OUTSIDE THE STUDIO?
“When I was the manager at Sushi Deli 2, I did a shot with Johnny Rotten.”
BEST CONCERT?
“Seeing Jawbox reunite for the first time in a dozen years to play on the Jimmy Fallon show in December 2009. It was great, because I never got to see them before they broke up and I was in New York City with my best friend, who’s now my wife, and it was f#cking Jawbox!"
WHAT WOULD YOU LIKE TO TELL THE YOUNGER YOU?
“Instead of wasting $30,000 a year to go to an overrated music college in Boston, take that money and buy some great gear, because you’re gonna own a studio in the next four years and you’ll go broke buying gear. Oh, and grow the f#ck up, quit blaming your lack of success on others, and work harder on your own shit.”
WORST INJURY?
“When I was seven and living in Bogotá, Colombia, I busted my face and two teeth out on Mother’s Day while I was riding a bike that was too big for me. They used to close a main street on Sundays for people to ride bikes and skate, and I got run into by some guy. I had to wear a fake tooth and a retainer-thing for a few months, which added countless insults to my injury.”
EVER BEEN ROBBED?
“I got my identity stolen when I was 21, and it really fked up my life for the next eight to ten years. When I was living in Boston in 1998, I started getting bills in the mail for places I’d never heard of. Come to find out that a guy in California had six credit cards, two delinquent bank accounts, and a car repossession under my name. I still sometimes get calls from creditors.”
SOMETHING TRUE ABOUT YOU THAT FEW WOULD BELIEVE?
“I got beat up by the ghost of a small child when I was 16. I swear!” ■
Here's something you might be interested in.
Mario Quintero and Black Box Studio
Mario Quintero and Black Box Studio
"I got beat up by the ghost of a small child when I was 16. I swear!"
Even if you haven’t heard of Mario Quintero’s bands Sleep Lady (whose bassist is his wife, Sarah Quintero) and Hialeah, if you’re a San Diego music fan, you probably own something produced at his Black Box Studio in Golden Hill.
A partial list of his local clients includes Transfer, Modern Rifles, Japanese Sunday, Apes of Wrath, the Long and Short of It, the North Atlantic, Goodbye Blue Monday, Marasol, Sirhan Sirhan, A Scribe Amidst the Lions, Swim Party, Fever Sleeves, and the newest from the Beautiful View, with whom Quintero just finished showcasing at Austin’s South By Southwest music fest.
After studying jazz composition and arranging at Berklee College of Music (1998–2001), Quintero relocated to San Diego with fellow Miami transplant Mike Pereira and opened Black Box in late 2005.
“It was originally conceived as a wired concert venue, where we could record live performances,” says Quintero. “We had bands like Goblin Cock and Ilya come in to play shows, and all while we were building this maze of soundproof rooms and collecting equipment [to do] more sophisticated full-service recording.” The studio is now also home to Quintero’s record label, Requiemme.
Quintero feels it’s important to maintain his hand in at least one or two working bands. “The studio doesn’t leave me a lot of free time…with Sleep Lady, I mainly play guitar. I also play drums in a band called Great Like Cake, which is more of a post-punk-type thing. Much of what I do now, musically, is more on the recording and production side of things. I do a lot of session playing and arranging with the other bands.”
WHO ARE YOU LISTENING TO?
“Immovable Objects, East of Sweden, D/wolves, and, if I’m lucky and there’s still time on the clock, some Helmet.”
WHAT'S YOUR MUSIC PLAYER?
“I tend to use my phone as my main music-listening device, but it’s rare these days that I get a chance to listen to music because I’m usually too busy working with music. So mostly I’m listening to either demos of the bands I’m working with or playing rough mixes to get mixing and production ideas.”
ANYONE YOU WERE EMBARRASSED TO MENTION?
“Even though I actually like this song, and it’s over ten years old, it would have to be ‘Nothin,’ by a hip-hop group called N.O.R.E.”
FAVORITE LONG-GONE LOCAL VENUE?
“I really used to enjoy the free shows at Scolari’s Office, back in the day.”
BRUSH WITH FAME?
“Greg Allman practiced at Black Box in 2009 before his show at Humphrey’s. He packed a bowl [with marijuana], so I couldn’t say no.”
OUTSIDE THE STUDIO?
“When I was the manager at Sushi Deli 2, I did a shot with Johnny Rotten.”
BEST CONCERT?
“Seeing Jawbox reunite for the first time in a dozen years to play on the Jimmy Fallon show in December 2009. It was great, because I never got to see them before they broke up and I was in New York City with my best friend, who’s now my wife, and it was f#cking Jawbox!"
WHAT WOULD YOU LIKE TO TELL THE YOUNGER YOU?
“Instead of wasting $30,000 a year to go to an overrated music college in Boston, take that money and buy some great gear, because you’re gonna own a studio in the next four years and you’ll go broke buying gear. Oh, and grow the f#ck up, quit blaming your lack of success on others, and work harder on your own shit.”
WORST INJURY?
“When I was seven and living in Bogotá, Colombia, I busted my face and two teeth out on Mother’s Day while I was riding a bike that was too big for me. They used to close a main street on Sundays for people to ride bikes and skate, and I got run into by some guy. I had to wear a fake tooth and a retainer-thing for a few months, which added countless insults to my injury.”
EVER BEEN ROBBED?
“I got my identity stolen when I was 21, and it really fked up my life for the next eight to ten years. When I was living in Boston in 1998, I started getting bills in the mail for places I’d never heard of. Come to find out that a guy in California had six credit cards, two delinquent bank accounts, and a car repossession under my name. I still sometimes get calls from creditors.”
SOMETHING TRUE ABOUT YOU THAT FEW WOULD BELIEVE?
“I got beat up by the ghost of a small child when I was 16. I swear!” ■
Comments