There have been moments in Frisell's career where he may have been the most startlingly original guitarist in jazz; on this night, he sounded like Jerry Garcia on Thorazine. The concert began with 10 minutes of Frisell triggering birdcall loops. He'd step on a pedal and you'd hear robin's chirping; a minute later, another pedal, different bird songs; you get the picture. It would have been a ballsy way to begin the set had the rest of the show not been so meandering.
Part of the problem was the absence of a bass player: with no one laying down a foundation, Frisell's oblique harmonies never settled into a groove. There were moments, of course, that transcended that limitation -- but not enough moments.
Pianist Jason Moran, who can carry a show on his own, wasn't given enough to do. Likewise, the always-creative drummer Kenny Wolleson. It's hard to believe that these three musicians could even be boring. They can. They played one off-kilter blues number and one weird version of Monk's "Mysterioso" that were exciting. Unfortunately, their languid encore of "Beautiful Dreamer" was too typical.
There have been moments in Frisell's career where he may have been the most startlingly original guitarist in jazz; on this night, he sounded like Jerry Garcia on Thorazine. The concert began with 10 minutes of Frisell triggering birdcall loops. He'd step on a pedal and you'd hear robin's chirping; a minute later, another pedal, different bird songs; you get the picture. It would have been a ballsy way to begin the set had the rest of the show not been so meandering.
Part of the problem was the absence of a bass player: with no one laying down a foundation, Frisell's oblique harmonies never settled into a groove. There were moments, of course, that transcended that limitation -- but not enough moments.
Pianist Jason Moran, who can carry a show on his own, wasn't given enough to do. Likewise, the always-creative drummer Kenny Wolleson. It's hard to believe that these three musicians could even be boring. They can. They played one off-kilter blues number and one weird version of Monk's "Mysterioso" that were exciting. Unfortunately, their languid encore of "Beautiful Dreamer" was too typical.