Here's something you might be interested in.
Ask a Hipster — Advice you didn't know you needed
Big Screen — Movie commentary
Blurt — Music's inside track
Booze News — San Diego spirits
Classical Music — Immortal beauty
Classifieds — Free and easy
Cover Stories — Front-page features
Drinks All Around — Bartenders' drink recipes
Excerpts — Literary and spiritual excerpts
Feast! — Food & drink reviews
Feature Stories — Local news & stories
Fishing Report — What’s getting hooked from ship and shore
From the Archives — Spotlight on the past
Golden Dreams — Talk of the town
The Gonzo Report — Making the musical scene, or at least reporting from it
Letters — Our inbox
Movies@Home — Local movie buffs share favorites
Movie Reviews — Our critics' picks and pans
Musician Interviews — Up close with local artists
Neighborhood News from Stringers — Hyperlocal news
News Ticker — News & politics
Obermeyer — San Diego politics illustrated
Outdoors — Weekly changes in flora and fauna
Overheard in San Diego — Eavesdropping illustrated
Poetry — The old and the new
Reader Travel — Travel section built by travelers
Reading — The hunt for intellectuals
Roam-O-Rama — SoCal's best hiking/biking trails
San Diego Beer — Inside San Diego suds
SD on the QT — Almost factual news
Sheep and Goats — Places of worship
Special Issues — The best of
Street Style — San Diego streets have style
Surf Diego — Real stories from those braving the waves
Theater — On stage in San Diego this week
Tin Fork — Silver spoon alternative
Under the Radar — Matt Potter's undercover work
Unforgettable — Long-ago San Diego
Unreal Estate — San Diego's priciest pads
Your Week — Daily event picks
Best of 2000: Best Theater Without The Hyperbole
Cassius Carter Centre Stage
Balboa Park
(619) 239-2255 (Box Office)
This is "theatre in the round," a sunken stage no larger than a small dance floor, ringed by a mere 225 seats. A sigh of relief, for there can be no helicopters swooping from the ceiling, no casts of hundreds mincing around in animal suits, no singing. The most extravagant special effects at the Cassius Carter are on the order of cigarette smoke and guns shooting blanks, both receiving full billing in the program, and a warning sign posted in the lobby. Productions at Cassius Carter are experimental in their simplicity, lack of gimmickry, and willingness to tackle unflattering images of contemporary human experience. The 1998 performance of Nixon's Nixon and, more recently, Old Wicked Songs are two fine examples of how this theater can broach provocative subject matter on a small scale.
Here's something you might be interested in.
Best of 2000: Best Theater Without The Hyperbole
Best of 2000: Best Theater Without The Hyperbole
Cassius Carter Centre Stage
Balboa Park
(619) 239-2255 (Box Office)
This is "theatre in the round," a sunken stage no larger than a small dance floor, ringed by a mere 225 seats. A sigh of relief, for there can be no helicopters swooping from the ceiling, no casts of hundreds mincing around in animal suits, no singing. The most extravagant special effects at the Cassius Carter are on the order of cigarette smoke and guns shooting blanks, both receiving full billing in the program, and a warning sign posted in the lobby. Productions at Cassius Carter are experimental in their simplicity, lack of gimmickry, and willingness to tackle unflattering images of contemporary human experience. The 1998 performance of Nixon's Nixon and, more recently, Old Wicked Songs are two fine examples of how this theater can broach provocative subject matter on a small scale.
Comments