“Four deadly tales directed by four killer women.” That’s the tagline for this multiauthored horror anthology, even though this type of press agent math never adds up. The two middle tales hardly qualify as killer; they’re both efficiently apportioned one-joke premises. It’s the bookending segments (and wraparound sequences) that do most of the heavy-lifting. Jovanka Vuckovic’s The Box kicks things off by placing a bleak spin on that old chestnut about how children shouldn’t talk to strangers. And Karyn Kusama’s Her Only Living Son closes the show with a respectable continuation of Rosemary’s Baby, in which Junior expresses an unhealthy interest in wanting to meet his birth father. Animator and title designer Sofia Carrillo follows up on her Quay Brothers-inspired opening credits with a series of bridging sequences — her onscreen credit reads: Interstitials by — that leaves one wondering why she didn’t merit a co-director credit. (2017) — Scott Marks
This movie is not currently in theaters.