Peter Bogdanovich has unhocked dozens of gambits from old screwball comedies, and they go over so big it puts in question the assumed advancement of today's audience. It is a comedy that tastes of research rather than invention. The pointlessness of the entire enterprise is intriguing, sort of. But watching this Bogdanovich contrivance feels a lot like being buttonholed by a smooth, studied, high-pressure car salesman whose sincerity is always in doubt. Barbra Streisand, Ryan O'Neal, Madeline Kahn. (1972) — Duncan Shepherd
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