Edward Bond's screenplay — two school children, accustomed to crisp uniforms and transistor radios and such things, find themselves marooned in the Australian outback — possibly is more complex in its ideas about a cultural misalliance than is readily apparent. No matter. Nicolas Roeg's bright, clear, airy images create a wonderland of surreal encounters, altered perspectives, magnifications and diminutions. Jenny Agutter, Lucien John. (1971) — Duncan Shepherd
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