Russ Meyer fiddles around in the forested wilds of Canada, or thereabouts, choreographing every sort of sexual stunt he can imagine (the only constant is mammoth mammaries), and throwing in, for good measure, a blissfully tasteless, hopefully timely racial angle. Unrelievedly rambunctious and, in the long run, tiresome. With Erica Gavin. (1968) — Duncan Shepherd
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