Jean-Luc Godard plays around with prostitution as a metaphor for life in contemporary capitalist society, and the ever-faithful, ever-game Raoul Coutard provides him with vividly colored, wide-screen images of the materials of that society -- sweaters, high-rise apartments, Mobil gas stations, fashion magazines, etc. The images are dazzling, always; the ideas are dazzling only sometimes, and at other times dazing or dizzying (or dazed or dizzy). With Marina Vlady. (1966) — Duncan Shepherd
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