Orson Welles's heavy concretization of Franz Kafka's paranoid nightmare: the faceless "K" materializes as a skittishly mannered Tony Perkins, and most of the puzzling quality is pinned down definitively in the archaic Expressionistic shadows, the elaborately charted camera movement, and the disembodied dubbed voices (to which Welles himself contributed roughly a dozen). With Jeanne Moreau, Romy Schneider, Akim Tamiroff. (1962) — Duncan Shepherd
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