The vision of white-tie-and-tails highlife was held out to Depression audiences, without apologies, as pure escapism or eat-your-heart-out-ism. The overpunctuated comedy acting by Edward Everett Horton, Eric Blore, and Erik Rhodes and the directing by Mark Sandrich are pretty flat. But the Astaire-Rogers dance numbers, especially the "Isn't This a Lovely Day?" number in a Central Park bandstand, achieve the intended champagne bubbliness and/or tipsiness. (1935) — Duncan Shepherd
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