Nicholas Ray's first film, a Bonnie and Clyde precursor (not to mention its literal remake, Thieves Like Us), with a lyrical emphasis on Young Love, First Love, True Love. Farley Granger and Cathy O'Donnell are awfully soft and dewy as the star-crossed couple, but fortunately there's also Howard da Silva with his marled eye and boiling surface of pathology. (1949) — Duncan Shepherd
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