The conclusion of Satyajit Ray's Apu serial is the only installment that fits the requirements of tight, well-proportioned storytelling, as it follows the protagonist from bachelorhood in Calcutta to wedlock, widowerhood, and reluctant fatherhood. The chronicling of a sexual relationship is a new step for Ray, and it is invested with a sublime sense of self-consciousness, curiosity, and delight (the bridegroom muses, "What is it I see in your eyes?" and his wife deadpans, "Mascara"). (1959) — Duncan Shepherd
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