Until today, I never thought it possible to miss Nicholas Sparks. While dad is off fighting the Nazis, mom (Gyöngyvér Bognár) deposits their twin boys (the empty-faced László and András Gyémánt) with her estranged mother (Piroska Molnár), an abusive beast stationed in a granny flat directly behind a concentration camp on the Austria-Hungary border. If you’re looking for something more than a violence-filled storybook about innocent children raised in a war torn, hostilely aggressive environment who are destined to mature into savage, hate-filled adults, pick another picture. These two would have stood a better chance being raised by Nazis than those close to them. One remarkably efficient use of CGI: instead of staging a costly aerial bombing, we assume the cockpit’s POV as shadows of vast wings and spewed munitions pass over countryside rooftops. Other than that, it’s two hours of beating, bruising, and sexually objectifying kids in the name of topicality (2013) — Scott Marks
This movie is not currently in theaters.