We've seen this all before: the blasphemous possessee strapped to a palpitant bed, the priest pausing briefly in the light emanating from the bedroom window before rushing to her side, spewing green, etc. Director Alejandro Hidalgo is well-aware of the familiarity the images spark and uses it to his advantage to play against audience expectations in this audacious, surprisingly ingenious conjuration variation. Father Peter Williams (Will Beinbrink) had yet to earn a B.A. from Exorcism U, but without his participation, it may be too late to spare the victim. He apparently missed the week on resisting temptation, because no sooner does the Holy Water make a splash than the good father is breaking his vow of clerical celibacy while tape rolled! His nasty secret eventually comes to light some 18 years later while tending his flock at a small orphanage complete with a nearby insane asylum that resembles the brig on a tramp steamer. The arrival of Father Michael (Joseph Marcell) brings with it a showcase of expert comic relief, a playful performance that adds an unexpected exuberance to the otherwise somber surroundings. Does Father Peter have what it takes to become the “auteur exorcist” Father Michael sees in him? God only knows. (2022) — Scott Marks
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