Brutal crime-buster movie, not just in the limited sense of the famous coffee-in-the-face scene and the subsequent Phantom of the Opera makeup job. It is brutal, beyond that, although to less effect, in the lack of all artifice and adornment with which it lays out its issues. It lays them out, so to speak, stiff. With Glenn Ford, Gloria Grahame, and Lee Marvin; directed by Fritz Lang. (1953) — Duncan Shepherd
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