Is there any reason why a movie about hyper youth must be hyper itself? So many pranks, so many speeding cars, so many fights: at a bowling alley, at a school dance, at a pool hall (a gunfight, no less), at a traffic stop, at a friend's house, at one's own house. And all this in a relatively "sensitive" movie, another hell-bent teenager tale from the pen of S.E. Hinton, about two almost-brothers at the crossroads of life. One of them (a male-model hunk with hair-salon curls and plastic-surgery nose) is ready to grow up, i.e. to get soppy with girls; the other (either a slow developer or latent homosexual) isn't. With Emilio Estevez (who also wrote the script) and Craig Sheffer; directed by Christopher Cain. (1985) — Duncan Shepherd
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