Director Michael Winner must be the closest thing in the 1970s to a 1930s-style, Michael Curtiz-style mass-producer of movies. Each of his quickly-turned-out action movies, starring either Charles Bronson or Burt Lancaster, gains weight from its membership in a fast-growing, muscle-bound body of work.This one, a Bronson-as-dirty-cop vehicle, pauses for a few offhand recitations on violence, but otherwise speeds freely along with only an occasional snatch of dialogue as a springboard for furious action and quirky, lip-smacking characterization. (1973) — Duncan Shepherd
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