Good-natured kidding of movie musicals, as an Australian barmaid becomes, in the prescribed manner and with a minimum of trouble, a New Wave sensation. Playful and energetic, but also somewhat facile and soft-headed. The pivotal locale is an attractively tiled and formicaed pub; gaudiness tends to prevail elsewhere. The characters are likable, from a safe distance, and despite thick accents. And the music is infectious, though soon gotten over. With Jo Kennedy and Ross O'Donovan; directed by Gillian Armstrong. (1982) — Duncan Shepherd
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