British title: A Matter of Life and Death. Either way, one of a veritable epidemic of WWII-time supernatural fantasies, centered around an RAF pilot who escapes the clutches of death when his plane goes down. Ah, but has he gotten away for good? The early Technicolor achieves a high level of unreality, but the most magical spectacle isn't the (talky, preachy) court session in Kingdom Come, but rather the down-to-earth camera obscura. With David Niven, Kim Hunter, Raymond Massey, Roger Livesey; co-directed by Michael Powell and Emeric Pressburger. (1946) — Duncan Shepherd
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