Lighter fare for King Vidor, sandwiched (together with its companion piece, The Patsy) between his The Crowd and his Hallelujah!, a behind-the-scenes Hollywood comedy loosely modelled on the career of Gloria Swanson -- and an excellent showcase, to boot, for the talents of Marion Davies (much more than just the protégé and paramour of William Randolph Hearst, a relationship famously caricatured in Citizen Kane). A host of celebrity cameos, including Vidor himself. (1928) — Duncan Shepherd
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