Lina Wertmuller's cruel, cackling social satire is at its broadest, and (given the competition) funniest, in the stomach-turning seduction scene, with the fish-eye shot that transforms an already hefty woman into a marauding hippo and an already wimpy man into a shrivelled, hunched-up chimpanzee. Giancarlo Giannini, Mariangela Melato. (1974) — Duncan Shepherd
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