Yves Saint Laurent was undoubtedly a brilliant and significant fashion icon — just look at how many films have been made about him of late. You had 2010's documentary L'Amour Fou, 2014's Yves Saint Laurent, and now this entry, which largely dispenses with the whole "story of a life" and/or "story of a lifelong romance" (with business partner Pierre Berge) and instead concentrates on one particular and particularly decadent period in the designer's more or less fabulous run: the late '60s through the mid-'70s. It's appropriately amazing to look at — though less for the clothes (if the making of art really is tedious business, the selling of it is even moreso) than for the people inside them and the spaces around them. And apparently, director and co-writer Bertrand Bonello figured that material this gorgeous didn't need much in the way of shaping. Or cutting. The various joys and sadnesses that ensue don't offer much in the way of meaning: things happen, some of them good, some of them bad. C'est la vie. (2015) — Matthew Lickona
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