When a movie about a debonair jewel thief starts off with him doing a vocal impression of Cary Grant (presumably To Catch a Thief is his all-time favorite movie), you may reasonably be sure that a lot more trouble lies ahead. The evidence of this, taken together with The Black Windmill, points overwhelmingly toward the inadvisability of director Don Siegel again returning to England for anything other than a vacation. With Burt Reynolds, Lesley-Anne Down, and David Niven. (1980) — Duncan Shepherd
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