Yet another illuminated cranny of Nazi Germany: the Aryan wives of incarcerated Jews, standing vigil outside the collection center in Berlin. Uneven photography and unwieldy flashbacks (omniscient in point of view, despite the first-person reminiscer in the present day), but the material is strong enough to survive. With Katja Riemann and Maria Schrader; directed by Margarethe von Trotta. (2003) — Duncan Shepherd
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