Zeffirelli's superproduction of the Shakespeare lovers' tragedy adheres to the favorite method of high-school drama classes for achieving pizzazz or an approximation thereof — lots of running around and lots of yelling. It's true that Olivia Hussey and Leonard Whiting are almost the right age for the early-teen lovers, and that they get some alarming eagerness into their clinches; and it's true that Zeffirelli finds some expressive locales. But the movie badly needs a few breathers from all the beauty, the zest, the expenditure, and the whatnot. (1968) — Duncan Shepherd
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