A throwback to the Joan Crawford tough-broad melodramas of the Forties, with the spindly and delicate Geraldine Chaplin as an ex-con with a firm determination to upset her ex-husband's domestic bliss. Director Alan Rudolph serves it up "extra extra dry," like the martinis the heroine orders, and trims it with several Alberta Hunter songs to make you feel more gratitude than you would otherwise be disposed to. With Anthony Perkins, Berry Berenson. (1978) — Duncan Shepherd
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