The name is taken from "Ireland's Premier Theatre Company," a tatty itinerant troupe struggling on at the dawn of television, and alighting for the movie's duration in a photogenic village whose own current drama centers around Unwed Mother and Unnamed Father. The development of this is pretty predictable, and it is peopled with staccato, one-note characters: shameless hussy (feminist re-definition), fulminating priest ("You can't fly in the face of God!"), bombastic old ham, handsome young charmer. Only Albert Finney as the town constable, amateur woodworker, semi-reformed alcoholic, and rejected but resilient suitor attains any stature and complexity. The sight of this drunken bull of a man taking a licking in a public fistfight is, from every angle, quite indelible. Robin Wright, Aidan Quinn; directed by Gillies MacKinnon. (1992) — Duncan Shepherd
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