Darryl Duke's threadbare production immerses itself in the habits and habitats of a special way of life, that of a C&W singer, and is quite captivating in the opening scene in a red-lit roadside cafe. Disappointingly, the thing plows straightaway toward Face in the Crowd moralizing and kicks up the usual caricatures of full-bore rednecks, possessing the mental aspirations of parsnips. Rip Torn, as chief cusser, boozer, pill-popper, fornicator, is tiresomely familiar in a thick, sneering, psychotic dialect; and Ahna Capri makes a similar but smaller contribution as a Barbi Doll prattling on about "them non-sticky thangs" when trying to describe her preferred omelette pan. (1973) — Duncan Shepherd
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