The story of an owlish Jewish pawnbroker perched inside a cage in his Harlem shop and haunted by idyllic visions of the Old Country and nightmarish visions of barbwired concentration camps is played for high tragedy, climaxed by a symbolic crucifixion on a paper spindle. A conspicuous case of overreaching. With Rod Steiger; photographed by Boris Kaufman; directed by Sidney Lumet. (1965) — Duncan Shepherd
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