And with cement shoes on, too. A Wertmuller-esque rich bitch falls off her yacht, and wakes up with amnesia in Elk Snout, Oregon; the Good Old Boy handyman she had stiffed on a carpentry job sees this as a chance to even accounts, as well as to get some domestic help with his motherless brood of four. She becomes a Good Old Girl in the process, and he becomes a Better Old Boy (and what more could you want, except perhaps for her to regain her memory and her millions too?). Kurt Russell, who can hardly make a wrong move in front of a camera, stays afloat to the end; and Goldie Hawn, sporting a severe new look (sort of a Fay Spain or Gloria Talbot with airs) until she gets her hair wet, doesn't go down without a struggle. Directed by Garry Marshall. (1987) — Duncan Shepherd
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