Clive Donner's return to feature films, after too long an absence, demonstrates mainly that decent directing jobs must be hard to come by. This gag on the Dracula genre -- a genre desperately in need of new blood -- doesn't know where to go with any of its ideas, so it simply keeps changing its ideas. It's not easy to tell why the racial angle is brought in at all, except as an excuse to hire the chipper Theresa Graves, in charge of morale. With David Niven. (1975) — Duncan Shepherd
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