A contrast is started to be set up between the methods needed to combat New York street crime and methods needed to combat political terrorism, but this is never carried through to any illuminating degree. You could easily lose some of your respect for Wolfgar, the lone-wolf terrorist, when his neglect to lock his traveling case allows his temporary roommate to discover a cache of guns, grenades, and explosives, and again when, after murdering the roommate, he leaves behind a map with his last bombing site circled on it. The scriptwriters, not really interested in methods of any kind, or in characters, or in anything but juiced-up action scenes, always see to it that the police are within a step of the terrorist — sometimes a step behind, but amazingly often a step ahead. With Sylvester Stallone, Billy Dee Williams, and Rutger Hauer; directed by Bruce Malmuth. (1981) — Duncan Shepherd
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