After divorce, that is. As visualized and verbalized by Alan ("The Man Who Understands Women") Alda. He and Ann-Margret go their separate ways and meet new people, but no one they would want to meet again, until, with a nice symmetry, she finds a waiter named "Doc" and he a doctor who won't wait. Things don't stay so symmetrical, especially the amounts of time Alda spends on himself as against the woman -- not so lopsided, however, as to tarnish his feminist bona fides. More damagingly unbalanced is the teeter-totter of authentically "human" concerns (feet kicking in the air) and merely mechanical treatment (rump resting on the ground). Hal Linden seems curiously to be turning into Vincent Gardenia, and John Shea into Billy "Green" Bush. With Veronica Hamel and Mary Kay Place. (1988) — Duncan Shepherd
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