Political thriller directed, produced, written, edited, and acted in by Iranian expatriate Parviz Sayyad. A bit raw psychologically, to say nothing of cinematically. A trenchcoated and sunglassed assassin on assignment in New York (some nice mundane details of the zealot's adjustment to his surroundings: which way is Mecca? is the street vendor's hot dog made of beef or pork?) rescues his prey, a former Iranian army colonel, from subway muggers. A relationship develops. He eats the man's food, meets his two small wards and his woman friend, accompanies him to Coney Island and wins a stuffed animal at the shooting gallery, and so on. This part must be gotten through in order to get to the best part: a dinner party that dissolves into a heated debate on the sinfulness of music, and related matters. (1982) — Duncan Shepherd
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