Wartime espionage thriller, from a Graham Greene novel, with a pervasive air of paranoia (director Fritz Lang had gotten out of Nazi Germany, but not out of its shadow), many atmospheric scenes (plenty of the director's trademark cigarette smoke), and a marvelous climactic moment that employs a pinprick of light -- more exactly a bullet hole of light -- on an otherwise pitch-black screen. Ray Milland, Marjorie Reynolds, Dan Duryea. (1945) — Duncan Shepherd
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