Vampirism in Pittsburgh. The culprit is a sexually repressed teenager who facilitates his dirty work with the modern conveniences of syringe and razor blade, and who disburdens his guilts over the phone to a radio talk-show host who dubs him "The Count." George A. Romero's always promising but never satisfying black comedy steers an unclear course between mythology and psychology, between revitalizing the vampire genre and debunking it. Amusing cameo appearance by Romero as an up-to-date clergyman with a pooh-poohing attitude toward Evil. (1977) — Duncan Shepherd
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